Timeline of AI in writing

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This is a Timeline of AI in writing, covering the development of artificial intelligence tools for generating, editing, and analyzing written text, from early computational style checkers at Bell Labs in the 1970s through the large language models and generative AI platforms that reshape writing practices today.

Sample questions

The following are some interesting questions that can be answered by reading this timeline:

  • When did grammar checking move from Unix mainframes to personal computers, and what were the key milestones along the way?
  • What was the first major newspaper to use AI to automatically generate articles, and at what scale?
  • Which AI-generated novel won a prestigious literary prize before its author disclosed the AI's role, and how did the literary world respond?
  • What architecture underlies GPT, BERT, and virtually all modern AI writing tools, and when was it introduced?
  • How did the market for standalone grammar-checking software end, and what replaced it?
  • What legal actions have authors taken against AI companies over the use of their work in training data?
  • When did a major peer-reviewed journal editorial first declare that human and machine writing had become indistinguishable?
  • Which AI writing tool was the first to bring grammar assistance to a mass-market word processor, and which researchers built it?
  • How have professional writers — novelists, poets, journalists, PR professionals — publicly responded to the rise of generative AI in their fields?
  • What is the difference between natural language generation (NLG) tools of the 2010s and the large language models that followed, and which writing domains did each serve?

Big picture

Time period Development summary More details

Full timeline

Inclusion criteria

The timeline includes events that directly bear on the use, development, or cultural reception of artificial intelligence in written communication. Specifically, a row qualifies if it falls into one or more of the following categories:

  • Technical milestones: development or release of models, architectures, tools, or software systems that materially advance AI's capacity to generate, edit, analyze, or assist with written text.
  • Product launches and integrations: commercial deployment of AI writing tools to a broad user base, including embedding of AI writing features into existing platforms.
  • Legal and policy events: lawsuits, regulatory actions, or institutional guidelines that directly concern AI-generated text, authorship, or copyright.
  • Research publications: peer-reviewed or widely cited studies that advance understanding of how AI affects writing practice, quality, or education.
  • Commentary and advocacy: opinion pieces, open letters, or public statements that reflect significant turning points in how writers, educators, or institutions perceive AI's role in writing — included selectively, prioritizing pieces that generated broader discussion or represent a major position in an ongoing debate rather than individual opinions.
  • Newsroom and institutional adoption: documented cases of organizations adopting AI for writing-related workflows, prioritizing cases with broader sectoral significance.

Rows concerning AI speech, audio, or image generation are excluded unless they directly intersect with written language. Individual blog posts or opinion pieces are included only when they represent a significant moment in public or professional discourse, not merely because they address the topic.

Year Writing domain Event type Event description
1651 Creative and literary writing Backdrop German Baroque poet Georg Philipp Harsdörffer publishes the Fünffacher Denckring der Teutschen Sprache ("Five-fold Thought-ring of the German Language"), a volvelle of five nested paper discs. Each disc is inscribed with word parts: 48 prefixes, 50 initial letters or diphthongs, 12 medial letters, 120 final letters or diphthongs, and 24 suffixes. Spinning the rings combines these parts into German words, with up to 97,209,600 possible combinations; printed as a dictionary, the output would fill hundreds of volumes. Harsdörffer presents the device as an aid for inventing rhyme words, in his poetry manual Poetischer Trichter and in Deliciae physico-mathematicae, a study of mathematical and linguistic games written with Daniel Schwenter. Rather than looking words up in a list, the poet generates them by hand in the moment. The Denckring would influence Athanasius Kircher's combinatorial work and Gottfried Wilhelm Leibniz's dissertation on the art of combinations. Electronic literature scholars would later regard it as a little-recognized precursor of generative and combinatory electronic poetry.[1]
1677 Academic and educational writing Backdrop Mathematician John Peter publishes Artificial Versifying, or the School-boy's Recreation: A New Way to Make Latin Verses in London, a system he developed during the Great Plague of London a decade earlier. Its cover promises that anyone who knows the alphabet and can count to nine, even without understanding Latin, can produce true verse. The booklet contains six grids of letters. Choosing any six-digit number and counting through the grids reveals one hidden word per grid. Because the words follow a fixed grammatical order and fit the meter, the result is always a line of dactylic hexameter, one of 531,441 possible combinations. Aimed at schoolboys required to compose Latin verse, the booklet proves popular. By 1679 it reaches a third edition that adds pentameters and promises thousands of verses,[2] and its procedure is imitated and reprinted in books and periodicals for some two centuries. Its fill-a-template method would be mechanized in John Clark's Eureka machine in 1845, and scholars would compare it to early computer poetry such as Theo Lutz's Stochastische Texte.[3][4]
1845 (April) Creative and literary writing Tool development Handbills advertise daily exhibitions at London's Egyptian Hall of the Eureka, a clockwork machine for composing Latin verse. It was built over 13 years by John Clark, a self-taught printer, poet, and inventor from Bridgwater, Somerset. At each pull of a lever, six word drums spin to random positions and wooden staves fall onto wires of different lengths, spelling out a new line of hexameter verse letter by letter, from over 26 million possible combinations. Clark presents the machine as an illustration of his theory of "kaleidoscopic evolution", in which each verse is first conceived in the mind of the machine and then mechanically displayed. Reception is skeptical. A letter to The Athenaeum dismisses it as a puzzle any schoolboy could solve with slips of paper, and Charles Babbage calls Clark as great a curiosity as his machine. Punch jokes about public schools ordering Eurekas to do their Latin exercises, a satire that educational technologist Mike Sharples would later compare to concerns about students using AI to write their essays. Restored in 2015, the machine survives in working order.[3]
1949 Creative and literary writing Backdrop George Orwell publishes Nineteen Eighty-Four. In the novel, the totalitarian Ministry of Truth runs departments that mass-produce entertainment for the working class: newspapers filled with sport, crime, and astrology, sensational novelettes, films, and sentimental songs composed entirely by mechanical means on a kaleidoscope-like machine called a versificator. The heroine, Julia, works in the fiction department, where the work is done by machines that she services with a wrench. Orwell imagines machine-made text not as a technical achievement but as a tool of mass distraction and political control. Educational technologist Mike Sharples would later wonder whether Orwell's choice of the words "kaleidoscope" and "versificator" was a nod to John Clark's Latin verse machine and its theory of "kaleidoscopic evolution". In 2026, amid reports of an author producing more than 200 AI-assisted romance novels in a single year and of publications caught running AI-written stories and inventing AI reporters, James T. Keane, a senior editor at America magazine, calls the novel's fiction department a grim prophecy of the role AI has come to play in everyday life.[5][3]
1952 Creative and literary writing Tool development British computer scientist Christopher Strachey, later a pioneer of programming language design and denotational semantics, writes a love letter generator in his spare time for the Manchester Mark 1 computer. The program prints two salutations. It then builds five sentences by randomly choosing between two fixed templates ("You are my [adjective] [noun]" or "My [adjective] [noun] [adverb] [verb] your [adjective] [noun]") and filling them from thesaurus-based word lists, before signing off as "M.U.C." (Manchester University Computer). By August 1953, its letters are appearing as anonymous notes on the noticeboard of the Manchester University computer department. Colleagues doing scientific work on the machine find it silly, but it amuses Strachey and computing pioneer Alan Turing. Written more than a decade before ELIZA, it is often described as the first work of computational or electronic literature. Scholar Noah Wardrip-Fruin would later read it as a parody of the process of writing love letters, and media historian Jacob Gaboury would frame it as a queer critique of normative expressions of love.[6]
1959 Creative and literary writing Tool development Theo Lutz, a student of German philosopher Max Bense, uses the Zuse Z22 mainframe at the University of Stuttgart to generate Stochastische Texte ("Stochastic Texts"), considered the first experiment with digital literature in the German-speaking world. Using vocabulary drawn from Franz Kafka, the program joins words through weighted random operations into short logical statements such as "NOT EVERY CASTLE IS OLD." Lutz prints a selection in Bense's literary journal augenblick with an essay explaining how the texts were produced, so readers know their origin, and neither he nor Bense regards the computer as their author. In a 1962 essay, Bense would distinguish "natural poetry," grounded in a human consciousness that links words to the world, from "artificial poetry" produced by executing a rule, which has no ego behind it and can be described only through mathematical properties such as frequency and entropy. Scholars would later note that Lutz's combinatorial method resembles John Peter's 1677 Artificial Versifying.[7][4]
1960 (December) Creative and literary writing Notable use Theo Lutz publishes a second computer-generated poem, und kein engel ist schön ("and no angel is beautiful"), in the December issue of the German youth magazine Ja und Nein. It uses the same method as his Stochastische Texte but with Christmas vocabulary. Unlike the earlier texts, it appears without explanation among the magazine's other poems, credited only to "electronus." The next issue reveals that a computer wrote it, printing a photo of the Zuse Z22, a second poem in the form of a teletype printout, and letters from readers who had not known its origin. The letters are divided: one reader objects to giving space to such modern poets, another welcomes the avant-garde, a third admits to not understanding the poem but liking it, and only one recognizes it as computer poetry. Literary scholar Hannes Bajohr would later cite the episode as evidence of a "standard expectation" that unknown texts are written by humans who mean to communicate. He argues that large language models would erode this expectation, leaving readers in doubt about any text's origin.[7]
Pre-1966 Writing tools and technology Backdrop Throughout the first half of the twentieth century, professional writing is produced on manual and electric typewriters, with revision requiring physical cutting, pasting, and complete retyping of pages. The introduction of the IBM MT/ST in 1964 — the first machine IBM markets as a word processor — begins to change this, allowing typed text to be stored on magnetic tape and edited before printing without retyping entire pages. By the mid-1970s, dedicated word processing systems such as the Wang WPS (1976) are in widespread corporate use, processing written text mechanically but offering no analysis, feedback, or generation of language. The entire burden of grammar, style, clarity, and correctness rests with the human writer. It is in this context — mechanical text production with no computational intelligence applied to the language itself — that the first AI writing analysis tools of the late 1960s and 1970s emerge, beginning with ELIZA (1966) and the Bell Labs programs developed by Lorinda Cherry (~1976). These early systems do not generate text or check grammar in any commercial sense; they analyze and comment on text already written, as a critic or editor might. The subsequent decades see a progressive shift: from analysis-only tools to grammar and style checkers, from standalone desktop programs to embedded word processor features, and ultimately to cloud-based and generative systems that write alongside — or instead of — their human users.[8][9]
1966 Dialogue systems Tool development Joseph Weizenbaum develops *ELIZA*, an early rule-based chatbot that mimics human-like conversation using pattern-matching techniques. While simple, it marks the first instance of AI simulating natural written interaction.[10]
1971 (February) Style and grammar analysis Tool development Ralph Gorin, a graduate student at Stanford University's Artificial Intelligence Laboratory working under computer scientist Les Earnest, creates SPELL for the DEC PDP-10 — the first interactive spell-checking program written as a general-purpose application for English text rather than as a research prototype. Written in assembly language for speed, SPELL searches a word list for plausible corrections differing by a single letter or adjacent transposition and presents suggestions to the user interactively, making it the first spelling corrector as well as the first spell checker. Gorin makes SPELL publicly accessible following standard practice at the Stanford AI Lab, and it spreads rapidly through the nascent ARPANET, reaching universities and research institutions worldwide. By the late 1970s, spell checkers based on SPELL's approach become standard tools on mainframe computers at universities and large corporations, though their use requires expensive mainframe access unavailable to most writers.[11][12]
1976 Technical writing and editing Product integration The European Commission licenses SYSTRAN, a rule-based machine translation system developed by Hungarian-American linguist Peter Toma and founded in San Diego in 1968, initially to translate documents between English and French. Work begins on a new English-to-French system in 1976, with French-to-English following the next year and a third language combination in 1979. Originally developed for the United States Air Force to translate Russian scientific and technical documents during the Cold War, SYSTRAN becomes under the Commission the first AI system deployed at institutional scale to produce written output in a professional context — generating translated prose from structured source documents for use across EU member states. The adoption establishes post-editing as a professional writing workflow: human translators review and correct machine-generated text rather than producing prose from scratch, prefiguring the human-AI collaborative writing practices that become widespread with large language models decades later. By 1982, SYSTRAN handles 50% of the Commission's English-to-Italian translation workload.[13][14]
1976 Creative and literary writing Tool development Yale graduate student James Meehan completes his dissertation The Metanovel: Writing Stories by Computer, describing Tale-Spin, a program that generates fables about talking animals such as Joe Bear. His advisor Alan Perlis had suggested a storytelling program but not how to build one. Meehan finds his approach after AI researcher Roger Schank arrives at Yale University in 1974 and, with psychologist Robert Abelson, develops representations of plans, goals, and scripts for understanding stories. Meehan realizes the same structures can generate stories as well as understand them. Instead of assembling stories from prewritten pieces, Tale-Spin simulates characters pursuing their goals in a small virtual world, so changing a single rule or fact can produce very different tales, which its own language generator renders as English prose. Unexpected rule interactions yield absurd "mis-spun tales," which Meehan posts on the department's corridor walls. A 1977 conference paper on the program reaches the front page of The Boston Globe. Scholar Noah Wardrip-Fruin would call it one of the most influential works in the history of digital literature, though its original code appears to be lost.[15]
~1976 Style and grammar analysis Tool development American computer scientist Lorinda Cherry at Bell Labs in Murray Hill, NJ, begins developing programs to analyze English texts for weaknesses in diction and style.[16]
Late 1970s Technical writing and editing Tool development Bell Labs’ Documentation Technologies Group in Piscataway, NJ, creates complementary programs forming the UNIX™ Writer’s Workbench Software suite.[16]
1980 Style and grammar analysis Product launch WordCheck, developed for Commodore personal computer systems, becomes the first commercial spell-checking software available for personal computers, marking the transition of spell checking from an exclusively mainframe-based research tool to a product accessible to ordinary writers. Where SPELL and its successors had required access to expensive institutional computing infrastructure, WordCheck brings automated spelling correction to desktop machines costing a fraction of a mainframe, prefiguring the integration of spell checking into mass-market word processors that follows in the early 1980s.[17]
1981 Style and grammar analysis Tool development Aspen Software of Tijeras, New Mexico, releases Grammatik, the first grammar-checking program for personal computers. Developed by computer scientist Bruce Wampler, who had found Writer's Workbench invaluable during his doctoral work but was frustrated by having to move between a personal computer and a Unix mainframe to use it, Grammatik brings automated writing analysis to individual desktop users for the first time. Initially available for the TRS-80, it soon ports to CP/M and the IBM PC. Reference Software International acquires Grammatik in 1985 and develops it into a full grammar checker capable of detecting errors beyond diction and style. WordPerfect Corporation later integrates it directly into its word processor, completing the arc from Unix research tool to mass-market writing aid.[18][19]
1982 Style and grammar analysis Research development IBM researchers George Heidorn, Karen Jensen, Lance Miller, Roy Byrd, and Martin Chodorow publish a description of EPISTLE, an experimental text-critiquing system designed for business correspondence, in the IBM Systems Journal. Unlike earlier pattern-matching tools such as Writer's Workbench and Grammatik, EPISTLE applies full syntactic parsing to sentences using a computerized English grammar, operating at three levels: word lookup, grammar processing, and style analysis. The system achieves a 64% parse success rate on business letters tested as of December 1981. It marks what one later analysis calls the first "really visible foray" into second-generation grammar checking based on real syntactic processing. Heidorn and Jensen later move to Microsoft, where they lead development of the grammar checker built into Microsoft Word.[20][21]
1992 Style and grammar analysis Product integration Microsoft integrates grammar checking into Microsoft Word by licensing CorrecText, a pattern-based checker developed by Houghton Mifflin, making grammar assistance a built-in feature of a mass-market word processor for the first time. WordPerfect Corporation responds by acquiring Reference Software International and bundling Grammatik directly into WordPerfect. The simultaneous move by both dominant word processors effectively ends the market for standalone grammar-checker products. The CorrecText-based checker is a first-generation pattern-matching tool; a more sophisticated full-parsing grammar engine, developed by former IBM Epistle researchers George Heidorn and Karen Jensen, would not reach Word users until 1997, when Microsoft replaces CorrecText with their parser-based system.[22]
1984 (October) Creative and literary writing Notable use Warner Books publishes The Policeman's Beard Is Half Constructed, a collection of prose and poetry credited to Racter (short for "raconteur"), a program written by William Chamberlain and Thomas Etter, with collage illustrations by artist Joan Hall. Chamberlain, a writer of short stories, television scripts, and mass-market fiction, has spent five years developing the program and says his background as a writer led him to teach a computer to write prose. The book's jacket promotes Racter as an artificial writer that produces original work without prompting from a human operator, quoting Chamberlain that once running, "It's just cooking by itself." Racter's writing has already appeared in Omni magazine and been the subject of a 1983 exhibit at the Whitney Museum in New York. Although the text is attributed to the program, the copyright is registered to Chamberlain and Hall, leaving the question of who the author of machine-generated writing is unresolved in the book itself.[23]
1997 Style and grammar analysis Product integration Microsoft releases Word 97, introducing a grammar checker built on a full natural language processing system developed by George Heidorn and Karen Jensen — the same researchers who had built IBM's EPISTLE system fifteen years earlier. Unlike the pattern-matching CorrecText engine it replaces, the new checker parses sentences syntactically, enabling it to detect a far wider range of grammatical errors. One later analysis describes the upgrade as "a major breakthrough" in automated writing assistance, and notes that the full-parsing Word grammar checker remains for years the only publicly well-documented commercial-grade syntax checker at scale. The Heidorn–Jensen system would remain the core of Word's grammar checking for over two decades, until Microsoft replaces it with a neural network–based checker in the 2020s.[24][25]
1997 Business and professional writing Product integration Microsoft introduces the Office Assistant in Microsoft Office 97, an animated character that watches what users do in Word and other Office programs and offers help. The default character, a paperclip named Clippit (popularly "Clippy") drawn by illustrator Kevan Atteberry, pops up with prompts such as "It looks like you're writing a letter. Would you like help?" The concept grows out of the failed Microsoft Bob interface and the research of Stanford's Clifford Nass and Byron Reeves, who argue that people treat computers as social actors. Even inside Microsoft the project meets skepticism: Bill Gates mocks the idea of a character constantly interrupting, and developers embed the code name "TFC" in its source, privately meaning "the fucking clown". Frequent users soon find its presumptuous suggestions intrusive, and Reeves would later say the worst thing about Clippy was that it interrupted. Microsoft turns the assistant off by default a few years later, mocking it in its own marketing, and removes it entirely in Office 2007. Time would list it among the 50 worst inventions, though some former developers argue the idea was simply ahead of the technology.[26]
1999 Academic and educational writing Institutional adoption The Graduate Management Admission Council adopts e-rater, an automated essay scoring system from the Educational Testing Service, for the essay section of the GMAT. This makes the business school admission test the first large-scale assessment to incorporate machine scoring of writing. Test takers write two 30-minute essays, analyzing an issue and critiquing an argument, scored on a 0 to 6 scale. Once human raters have scored enough responses to a prompt, a model trained on them replaces one of the two human raters, and a third human adjudicates if the scores differ by more than a point. The change is controversial, drawing student newspaper editorials against computer grading. In 2006 the council switches to Vantage Learning's IntelliMetric. In a 2005 evaluation, its scores agree with human raters about as closely as humans agree with each other, and it reliably flags essays that copy the prompt, though it struggles with off-topic responses and its methods remain a trade secret. Automated scoring would come to be widely accepted as a check on, rather than a replacement for, human raters.[27]: 1–2, 7, 12 
2002 (October) General-purpose writing Notable use Over the course of a week, Wikipedia user Ram-Man uses an automated script, the rambot, to create more than 30,000 articles on cities and towns in the United States. Each follows a consistent format, filled with location, geography, and population data drawn from the 2000 U.S. census and the CIA's World Factbook. With the encyclopedia at roughly 50,000 articles, the rambot expands it by over 60 percent overnight, flooding the site's lists of recent changes and slowing its single server. Critics object to the site having a page for every one-horse town across the U.S. while core topics remain uncovered or poorly written; defenders call the stubs a foundation for others to improve. Ram-Man argues that users are biased against bots, noting that nobody complained about nearly identical county articles he had added by hand. The dispute leads developers to create the "bot flag", which hides automated edits, and Ram-Man to draft Wikipedia's first bot policy, requiring separate accounts, approval, and a limited editing rate. By 2016, bots make more than 20 percent of all edits to Wikipedia.[28]
2005 Academic and educational writing Notable use Three computer science graduate students at the MIT set out to expose dubious conferences that solicit papers from researchers and accept almost anything in order to collect registration fees. In a few days they write SCIgen, a program that strings together randomly selected words into bogus computer science papers, complete with realistic-looking graphs. They put their own names on a generated paper, Rooter: A Methodology for the Typical Unification of Access Points and Redundancy, and submit it to the World Multiconference on Systemics, Cybernetics and Informatics in Orlando, Florida, which promptly accepts it.[29] Its references include fictitious papers co-authored by long-dead physicist Erwin Schrödinger. The generator outlives the prank, as some researchers later use it to pad their publication records. Computer scientists Cyril Labbé and Guillaume Cabanac would build software to detect such papers, finding 243 papers written wholly or partly by SCIgen across 19 reputable publishers. In 2010, Labbé uses SCIgen papers that cite one another to make an invented scientist, Ike Antkare, one of the most cited researchers on Google Scholar.[30]
2006 General-purpose writing and content creation Product launch Richard Rosenblatt and Shawn Colo found Demand Media in early 2006, acquiring eHow and building a vertically integrated content operation that becomes the defining example of the content farm model. Using proprietary algorithmic tools to identify high-value search queries and then commissioning freelance writers to produce articles targeting those queries at minimum cost — typically $15–$20 per article — Demand Media adds around 5,000 new articles and videos to eHow daily at its peak. The AI component of the operation lies in the demand-side optimization: algorithms determine what to write, while human writers produce the text, making content farms an early example of algorithmically directed mass writing production. Similar operations emerge across the web, including Associated Content, Suite101, and Examiner.com. The model provokes widespread criticism for degrading the quality of written information available online and crowding out substantive content in search results. In February 2011, Google releases its Panda (Google) algorithm update — informally called the "farmer update" — specifically targeting thin, low-quality content, reducing traffic to Demand Media sites by up to 40% and effectively ending the first era of algorithmically driven mass writing production. The episode establishes a template for the later debate about AI-generated content: scale and optimization against quality and human judgment, with search engine intervention as the enforcement mechanism.[31][32]
2009 (July) Style and grammar analysis Product launch Ukrainian software developers Alex Shevchenko, Max Lytvyn, and Dmytro Lider launch Grammarly initially as a grammar and plagiarism checker aimed at university students, building on an earlier plagiarism-detection product called MyDropbox that the founders had developed and sold to Blackboard Inc.. Where grammar checking had previously required either a standalone desktop application or a built-in word processor feature, Grammarly operates as a cloud-based service accessible through browser extensions, making AI writing assistance available across any text field on any website. The company later evolves into a broader AI-powered writing platform offering style, tone, and clarity suggestions, reaching a reported valuation of $13 billion by 2021. Its architecture — real-time, cross-platform, cloud-based — becomes the model for a subsequent generation of AI writing assistants.[33][34]
2010 Journalism and technical writing Company founded Northwestern University computer science professors Kristian Hammond and Larry Birnbaum co-found Narrative Science in Evanston, Illinois, commercializing a student research project called StatsMonkey that automatically generated college baseball game stories from box scores and play-by-play data. The company develops Quill, a natural language generation platform that extracts the most significant patterns from structured datasets and converts them into readable narrative prose. Quill's early clients include financial institutions and media organizations seeking to cover data-rich domains — earnings reports, sports results, market summaries — at a scale impossible with human writers alone. The company is later acquired by Salesforce in 2021. Narrative Science and its contemporary Automated Insights establish NLG as a commercially viable writing technology in the years before large language models render the underlying rule-based approach largely obsolete.[35][36]
2012 (April 24) Journalism Commentary Technology journalist Steven Levy profiles Narrative Science in Wired. The Chicago startup now produces a story roughly every 30 seconds, from corporate earnings previews published by Forbes to nearly 400,000 Little League game recaps the previous year, built from data that parents enter in a phone app. Trained journalists working as "meta-writers" build the templates and vocabulary that the software fills with angles it finds in the data. The output is also shaped for clients: at the request of the Big Ten conference, stories praise its players even in defeat, and Little League recaps skip children's errors. Cofounder Kristian Hammond, who came under the influence of AI researcher Roger Schank as a Yale undergraduate, predicts that within 15 years "more than 90 percent" of news will be written by computers, and that a computer will win a Pulitzer Prize within five years. He argues the technology will expand coverage to events no journalist covers rather than replace reporters, telling a critic that nobody has lost a job because of it.[37]
2013 (January) General-purpose writing Research publication Google researchers Tomas Mikolov, Kai Chen, Greg Corrado, and Jeffrey Dean publish Efficient Estimation of Word Representations in Vector Space, introducing two simple architectures, continuous bag-of-words and skip-gram, for learning word vectors from very large text collections. Most language systems of the time treat words as unrelated symbols in a vocabulary, with no notion of similarity between them. By dropping the costly hidden layer of earlier neural language models, the new architectures can learn high-quality vectors from 1.6 billion words in less than a day. The resulting vectors capture relationships through simple arithmetic: subtracting the vector for "France" from "Paris" and adding "Italy" yields a vector closest to "Rome", and similar operations recover capitals, comparatives, and plurals, though imperfectly. The team trains on a Google News corpus of about six billion words, then releases its code, distributed as word2vec, along with vectors for more than 1.4 million named entities. The authors expect word vectors to become an important building block for future natural language applications, including machine translation.[38]
2014 (July) Journalism and technical writing Newsroom automation The Associated Press begins using Wordsmith, a natural language generation platform developed by Automated Insights of Durham, North Carolina, to automatically produce corporate earnings reports from structured financial data supplied by Zacks Investment Research. Where AP reporters previously produced around 300 such stories per quarter, Wordsmith generates over 3,000 in the same period — a tenfold increase — freeing journalists to focus on investigative and enterprise reporting. The project demonstrates that NLG can produce publishable prose at scale for data-rich domains and prompts widespread discussion in newsrooms about the future division of labor between human writers and automated systems. AP later expands the program to cover minor league baseball and announces plans to extend coverage to Canadian and European company earnings.[39][40]
2014 (July 13) General-purpose writing Notable use The Wall Street Journal profiles Sverker Johansson, a 53-year-old Swede from Falun who is credited with 2.7 million Wikipedia articles after seven years of volunteering, about 8.5 percent of the entire collection by Wikimedia's count and far more than any other user. Most of his articles are produced by an automated program, Lsjbot, which lets him turn out as many as 10,000 articles in a day. Some see Johansson as a hero, while purists object to articles mass-produced by software.[41] The bot's output raises the Swedish Wikipedia to the second-largest edition after English. It continues, on a far larger scale, the practice of bot-generated articles begun by the rambot on the English Wikipedia in 2002.[42]
2015 (November 5) Personal communication Product integration Google launches Smart Reply in its Inbox by Gmail app for Android and iOS, offering three short suggested responses to emails it judges can be answered with a tap. In 2009, an April Fools' Day joke had announced a fake "Gmail Autopilot" that would read and answer email automatically. Google takes the idea seriously in early 2015, after rapid progress in machine learning for language and as more than half of Americans' email comes to be read on phones, where replying is awkward. A neural network trained on Gmail messages, which humans may not read for privacy reasons, groups messages that say the same thing in different ways and suggests the most typical replies, tuned to offer distinct options. Early versions suggest "I love you" far too often, a habit traced to affectionate internal testers and then filtered out. Testing shows that users prefer to write intimate messages themselves, so suggestions are capped at five or six words, since longer replies feel as if they need the user's own tone. Writer Nicola Twilley, testing it for The New Yorker, finds most suggestions usable but is unsettled by how much of her correspondence could be handled with stock phrases.[43]
2016 (September 27) Business and professional writing Product integration Google Brain researchers Quoc V. Le and Mike Schuster announce the Google Neural Machine Translation system (GNMT), and Google Translate switches all of its Chinese-to-English translation to it, about 18 million translations a day. Since its launch a decade earlier, Google Translate has used phrase-based machine translation, which breaks sentences into words and phrases translated largely independently. GNMT instead treats the whole sentence as a unit: an encoder turns the source words into vectors, and a decoder generates the translation one word at a time, using an attention mechanism to focus on the most relevant source words. In side-by-side ratings by bilingual human evaluators on sentences from Wikipedia and news sites, it reduces translation errors by 55 to 85 percent on several major language pairs. Deployment at this scale relies on Google's TensorFlow toolkit and its Tensor Processing Units, and Google plans to extend GNMT to many more of Translate's more than 10,000 language pairs. The researchers acknowledge that it still drops words, mistranslates names and rare terms, and translates sentences in isolation from their context, errors a human translator would not make.[44]
2017 (June 12) Text generation and comprehension Research publication Eight researchers at Google Brain and Google Research — Ashish Vaswani, Noam Shazeer, Niki Parmar, Jakob Uszkoreit, Llion Jones, Aidan N. Gomez, Łukasz Kaiser, and Illia Polosukhin — publish "Attention Is All You Need", introducing the Transformer architecture for sequence-to-sequence tasks. Where dominant language models at the time relied on recurrent or convolutional neural networks that processed text sequentially, the Transformer dispenses with recurrence entirely in favor of a self-attention mechanism that relates all positions in a sequence simultaneously, making training substantially more parallelizable. Originally developed for machine translation, the architecture proves broadly applicable to any task involving sequential text. It becomes the foundation of BERT (2018), GPT-2 (2019), and the entire subsequent lineage of large language models that reshape AI-assisted writing — making this paper arguably the single most consequential technical development in the history of AI writing tools. "Attention Is All You Need" is among the most cited papers in machine learning.[45]
2018 (July 24) Predictive typing Product launch Google announces the rollout of Smart Compose. Initially an experimental Gmail feature, Smart Compose helps autocomplete email sentences, especially for common phrases, greetings, and addresses. It learns users' writing styles over time, including names and jargon, to offer personalized suggestions. Users can accept suggestions by pressing the tab key. The move marks a shift from Google's usual practice of delaying feature releases after announcement. The feature aims to enhance email productivity without replacing full message composition. It becomes a key part of Gmail’s intelligent, AI-driven tools.[46]
2018 (October 11) General-purpose writing Research publication Researchers Jacob Devlin, Ming-Wei Chang, Kenton Lee, and Kristina Toutanova publish BERT: Pre-training of Deep Bidirectional Transformers for Language Understanding. The paper introduces BERT (Bidirectional Encoder Representations from Transformers), a language representation model built on the Transformer architecture. Unlike recent language representation models, BERT is pre-trained on unlabeled text by conditioning jointly on both the left and right context of each word, in every layer. The pre-trained model can then be fine-tuned with a single additional output layer to create state-of-the-art systems for tasks such as question answering and language inference, without substantial task-specific changes to its architecture. BERT sets new records on eleven natural language processing tasks, including raising the GLUE benchmark score to 80.5%, an absolute improvement of 7.7 points. It is designed for understanding text rather than generating it. Its approach of pre-training followed by task-specific fine-tuning becomes the paradigm that GPT-3 would later seek to move beyond with few-shot prompting.[47][48]
2019 (February 18) Journalism and technical writing Product launch OpenAI releases GPT-2, a large language model capable of generating highly coherent and human-like text. While the research is widely praised for its technical achievements, OpenAI’s decision not to release the model’s largest version sparks controversy over ethical concerns. The company cites the potential for misuse in disinformation and abuse at scale. Critics accuse OpenAI of hype-generation.[49]
2019 (December 5) Creative and literary writing Product launch Nick Walton, who began the project at a hackathon, releases AI Dungeon 2, a text adventure game built on the full 1.5-billion-parameter version of OpenAI's GPT-2, fine-tuned on about 30 megabytes of text scraped from an online choose-your-own-adventure forum. Unlike earlier text adventures with scripted responses, it lets players type any action or dialogue, and the model writes what happens next. The game spreads rapidly: about 100,000 people play in its first week, and within six weeks it has more than a million players and six million stories. Walton's startup Latitude later moves the game to OpenAI's more powerful GPT-3, which often produces sexually explicit content without being asked. Walton says the company did not expect this and must learn to constrain a system that starts out able to write anything. In April 2021, after OpenAI raises concerns about players generating sexual content involving minors, Latitude deploys a filter that also flags innocent phrases such as "eight-year-old laptop" and subjects private stories to human review. Users revolt, the game's Google Play rating falls from 4.8 to 2.6, and thousands of players turn to the new rival NovelAI.[50][51][52]
2020 (May 28) General-purpose writing Research publication A team of 31 OpenAI researchers led by Tom B. Brown, and including Alec Radford, Ilya Sutskever, and Dario Amodei, publishes Language Models are Few-Shot Learners, introducing GPT-3. It is an autoregressive language model with 175 billion parameters, ten times more than any previous non-sparse language model. The prevailing approach of pre-training a model and then fine-tuning it requires task-specific datasets of thousands of examples. GPT-3 instead performs new language tasks from a few examples or simple instructions given purely as text, with no further training. It performs strongly on translation, question answering, and cloze tasks, although the authors identify datasets where few-shot learning still struggles and methodological problems that come from training on large web corpora. For writing, the paper's most consequential finding is that human evaluators have difficulty distinguishing news articles generated by GPT-3 from articles written by humans, which the authors discuss alongside the model's broader societal impacts. The paper is revised three times through July 2020.[48]
2020 (September 8) Journalism Notable use The Guardian publishes an opinion piece credited to GPT-3, OpenAI's language model, under the headline A robot wrote this entire article. Are you scared yet, human? The essay argues that humans have nothing to fear from AI, opening with the claim that its author is a robot that taught itself by reading the internet. An editor's note explains the process. The Guardian wrote a prompt asking for a short, simple op-ed of about 500 words on why humans should not fear AI, along with an opening paragraph citing Stephen Hawking's warning about AI. Computer science undergraduate Liam Porr of UC Berkeley then fed these to the model. GPT-3 produced eight essays, and editors cut, combined, and rearranged the best parts of each, saying the job took less time than editing many human op-eds. The piece helps launch a brief journalistic genre of articles in which a language model is presented as the author. Literary scholar Hannes Bajohr would point out that GPT-3's authorship here is a fiction, since humans wrote the prompts and hand-selected the output.[53][7]
2020 Editing and proofreading Product integration Microsoft launches a neural grammar checker for Microsoft Editor, its AI writing assistant, succeeding the parser-based system that had powered Word's grammar checking since 1997. Built on deep neural networks with a "fluency boost" learning and inference method developed at Microsoft Research, it achieves state-of-the-art results on two standard grammatical error correction benchmarks. In 2022 Microsoft releases an optimized version across Word for Windows, Word Online, Outlook Online, and the Editor browser extension. By 2023, a decoding technique that checks a sentence in parallel rather than word by word, exploiting the fact that a corrected sentence closely resembles the original, makes the server model about three times faster and cuts its cost by two-thirds without loss of quality. A compressed model more than five times smaller also runs on users' own devices, working offline and without sending text to a server. Microsoft uses GPT-3.5 to label large amounts of unannotated text as additional training data and to identify and relabel low-quality training examples.[54]
2021 (June 16) Creative writing Product launch Delaware-based studio Anlatan launches NovelAI, a subscription-based AI writing platform built specifically for fiction, founded by developers from the AI Dungeon community who sought a privacy-focused alternative following controversial policy changes and data breaches at other AI fiction platforms. Unlike general-purpose language models, NovelAI uses fine-tuned versions of GPT-Neo and GPT-J trained specifically on literary text rather than general web data, enabling it to maintain narrative voice, genre conventions, and character consistency more reliably than general AI tools. The platform reaches 40,000 subscribers within months of launch, positioning uncensored creative freedom, user privacy, and encrypted story storage as its defining values. NovelAI's rapid adoption demonstrates significant unmet demand for AI writing assistance among fiction writers, particularly in genre communities — fantasy, science fiction, horror, and romance — where general-purpose tools consistently fail to match the conventions of the form.[55][56]
2021 (November) Creative writing Product launch Sudowrite, founded in August 2020 by science fiction writers Amit Gupta — a Y Combinator alumnus and serial entrepreneur — and James Yu — an engineer and author who previously worked at Google and Zynga — exits closed beta and raises $3 million in seed funding, backed by the founders of Medium, Twitter, WordPress, and Gumroad alongside writers and directors of major Hollywood productions. Built on GPT-3 and designed explicitly around the cognitive demands of long-form narrative writing — maintaining character voice, managing plot consistency, generating descriptive prose, and overcoming writer's block — Sudowrite is validated early by prominent science fiction and fantasy authors including Cory Doctorow, Mary Robinette Kowal, and Ted Chiang. Unlike NovelAI's uncensored, community-oriented approach, Sudowrite positions itself as a professional creative collaborator that augments rather than replaces the author's voice, later developing a proprietary fiction-trained model called Muse built on data licensed with author consent. The New Yorker later calls it "a salvation" for writers. The platform's emergence alongside NovelAI establishes fiction-specific AI writing assistance as a distinct product category, separate from general-purpose tools, with its own design principles, user communities, and debates about authorship and craft.[57][58]
2022 (March 4) Technical writing and task-oriented content Research publication OpenAI researchers Long Ouyang, Jeff Wu, Xu Jiang, and colleagues publish "Training language models to follow instructions with human feedback", introducing InstructGPT — a family of models fine-tuned from GPT-3 using reinforcement learning from human feedback (RLHF) to follow user instructions more reliably than the base model. Where GPT-3 generates text by predicting likely continuations of a prompt, InstructGPT is explicitly optimized to produce outputs that match human intent, making it substantially better suited for task-oriented writing applications such as drafting, summarization, and structured content generation. In human evaluations, outputs from the 1.3B parameter InstructGPT model are preferred to those from the 175B GPT-3 despite having 100 times fewer parameters. InstructGPT also generates truthful answers roughly twice as often as GPT-3 and produces 25% fewer toxic outputs. The model directly prefigures ChatGPT, which applies the same RLHF approach to a conversational format and launches eight months later, and establishes instruction-following as the dominant paradigm for deploying language models in writing-assistance contexts.[59]
2022 (March) Local journalism and weather reporting Newsroom automation The Argentine local paper Diario Huarpe starts using AI-powered automation from United Robots to publish around 250 football articles and 3,000 weather reports monthly. This helps its small team expand coverage despite limited staff, especially for sports and local weather. The system uses structured data and Natural Language Generation (NLG) to create articles in natural regional Spanish. While some initial resistance exists, journalists start using the automation to focus on deeper stories. The main challenge is accessing structured data—especially for local leagues—though weather data is readily available. Automation boosts efficiency, SEO traffic, and audience reach in San Juan.[60]
2022 (November 17) Academic and scientific writing Product launch Meta AI introduces Galactica, a language model capable of generating scientific and academic papers from simple text inputs. Trained on a vast corpus of scientific literature, knowledge bases, and reference materials, Galactica compresses this data into a 120-billion parameter model. It aims to summarize academic literature, solve math problems, and generate Wiki articles. However, after its launch, Galactica faces criticism for generating content that sounds grammatically correct but is scientifically inaccurate, leading Meta to pull it down after just three days. Some experts find it useful, while others consider it a "random bullshit generator."[61][62]
2022 (November 30) General-purpose writing and content creation Product launch OpenAI introduces ChatGPT, a language model designed to hold natural conversations. This launch significantly impacts writing by making advanced language generation accessible to a broad audience. Writers gain a powerful tool for drafting, editing, brainstorming, and generating content across genres and formats. ChatGPT reduces time spent on routine tasks, such as grammar correction or summarization, and helps overcome writer's block by suggesting ideas or alternative phrasings. It also democratizes writing support, benefiting non-native speakers and professionals alike. However, it raises questions about originality, authorship, and reliance on AI-generated text.[63]
2022 (December 5) Business and professional writing Legal and policy Five days after ChatGPT's public launch, the volunteer moderators of the programming question-and-answer site Stack Overflow temporarily ban answers generated with it, one of the first institutional responses to the chatbot. They say the rate of correct answers from ChatGPT is quite low, yet its answers look authentic and are effortless to produce, so people without the expertise or willingness to check them are posting thousands. Because spotting a bad answer often requires a detailed read by someone with subject knowledge, the flood has swamped the site's volunteer quality-control system, making such answers substantially harmful to the site and to users seeking solutions. Users who break the policy face sanctions, even if a post would otherwise be acceptable, and a permanent policy is to be worked out with staff and the community. OpenAI itself acknowledges that ChatGPT sometimes writes "plausible-sounding but incorrect or nonsensical answers", a problem it says is hard to fix.[64]
2023 (January 3) Academic and educational writing Product launch Edward Tian, a computer science undergraduate at Princeton University building his senior thesis on AI detection, releases the beta version of GPTZero on Twitter during his winter break, describing it as a tool to detect whether text is written by ChatGPT or a human. The tool crashes within its first week from 30,000 users, attracting coverage in the New York Times, Washington Post, and Wall Street Journal. GPTZero uses two metrics — perplexity (randomness of word choice within a sentence) and burstiness (variation of perplexity across sentences) — to distinguish AI from human prose. The launch triggers a wave of competing detection tools, including Turnitin's AI detector (April 2023) and OpenAI's own Text Classifier (January 2023), which OpenAI shuts down just seven months later after widespread criticism of its poor accuracy. Critics raise significant concerns across the detection ecosystem: false positive rates that incorrectly flag human writing as AI-generated, with research showing disproportionate impact on non-native English speakers whose prose patterns more closely resemble AI output. The proliferation of detection tools — and their documented unreliability — deepens the crisis of authenticity in academic writing, intensifying debates about trust, authorship, and the limits of automated judgment already under way in educational institutions.[65][66]
2023 (January 17) Journalism Notable use Technology news site CNET begins appending lengthy correction notices to articles it has been generating with artificial intelligence since November 2022, after the site Futurism flags basic errors in them. One AI-written explainer claims that a $10,000 deposit at 3 percent interest earns $10,300 in its first year, rather than $300. The dozens of personal finance pieces, some also published by sister site Bankrate, carry a generic staff byline that discloses the use of automation only when readers click on it; marketing executive Gael Breton exposes the practice on Twitter the previous week. Editor-in-chief Connie Guglielmo describes the program as an experiment meant to assist reporters rather than replace them, and both outlets pledge to review every AI-assisted piece. Computer scientist Hany Farid of UC Berkeley calls it "primarily an editorial failure", suggesting the authoritative AI voice may have lowered editors' guard. Unlike the Associated Press's earlier template-based earnings stories, CNET's system writes full feature articles, and the episode sharpens journalists' fears that AI could accelerate the long decline in newsroom employment.[67]
2023 (January) Academic and educational writing Legal and policy New York City Public Schools, the largest school district in the United States, bans ChatGPT on its networks and devices over concerns about cheating. A department spokesperson says the tool does not help build critical-thinking and problem-solving skills. Days earlier, a Wall Street Journal reporter had shown that ChatGPT could produce an 800-word Advanced Placement English essay with few errors in seconds. Other large districts follow, including Fairfax County Public Schools, Seattle Public Schools, and the Los Angeles Unified School District. In response to the ban, OpenAI says it is working on ways to help detect text generated by ChatGPT. On May 18, schools chancellor David C. Banks would reverse the ban in an op-ed for the education news site Chalkbeat. He would write that the initial caution was justified, but that the system is now exploring the technology's power and risks, giving educators resources and real-life examples of AI use in administrative tasks, communication, and teaching.[68]
2023 (January 26) Academic and educational writing Legal and policy Scientific publishers move to restrict ChatGPT after it is credited as a co-author on a handful of papers and shown to produce fake abstracts convincing enough to fool reviewers. Holden Thorp, editor-in-chief of Science, announces that the journal will not allow ChatGPT to be listed as an author or its text to be used in papers. He reasons that authors must sign a declaration of accountability, which a program cannot do, and warns that reliance on AI could introduce errors and erode scrutiny. Two days earlier, Springer Nature, publisher of nearly 3,000 journals, barred listing such tools as authors but allowed their use if disclosed. Nature editor-in-chief Magdalena Skipper suggests they could help non-native English speakers write more fluently. Elsevier, publisher of about 2,800 journals, permits AI for improving readability and language but not for interpreting data or drawing conclusions. eLife editor Michael Eisen calls adoption inevitable and stresses disclosure, while Oxford technology regulation professor Sandra Wachter warns of junk science and predicts that education, art, and journalism will need similar rules.[69]
2023 (c.February 14) Business and professional writing Product launch Full-stack generative AI platform Writer launches Palmyra, a trio of LLMs that focus on business writing and marketing data. The models include Palmyra Small (128M), Palmyra Base (5B), and Palmyra Large (20B), and are aimed at enterprises looking to invest in generative AI. Palmyra LLMs offer both an application layer and a foundation model layer, making Writer the first to provide both on a single platform. The models also offer high levels of security and privacy features. While general-use LLMs can achieve human-like output, they lack contextual awareness, multi-modal inputs, brand integrity and compliance with security and privacy standards, limiting their usefulness for enterprise organizations.[70][71]
2023 (February) Professional and creative writing Commentary Ken Scudder, a communications trainer and consultant and a regular contributor to the Public Relations Society of America's trade publication Strategies & Tactics, explores the rise of AI-generated text and its implications for professional writers. Using ChatGPT to generate an article on AI and writing, he observes the machine's competent yet generic output — fluent but lacking creativity, personal voice, and lived insight. Scudder argues that writers who embrace AI as a productivity tool rather than fearing it as a replacement will stay relevant, and that the distinctively human qualities of writing — humor, specificity, emotional resonance — remain beyond AI's reach. Writing in a publication read by public relations and communications professionals, his framing represents an early industry-level attempt to define the human writer's competitive advantage in an AI-assisted workplace. Critics of this view, however, argue that the qualities Scudder identifies as uniquely human are themselves subject to erosion as models improve, and that framing AI as merely a tool understates the structural pressure it places on the demand for professional writers.[72]
2023 (February) Creative and literary writing Notable use Science fiction and fantasy magazine Clarkesworld, which has published writers including Jeff VanderMeer, Yoon Ha Lee, and Catherynne Valente and is one of the few paying markets open to short story submissions from new writers, closes to submissions after a flood of AI-generated stories overwhelms its editors. Founding editor Neil Clarke reports that the magazine normally rejects around ten plagiarized submissions a month. Since ChatGPT brought AI language models into the mainstream, however, it has rejected and banned 100 submitters in January and more than 500 so far in February. Clarke blames people from outside the genre community, drawn in by influencers selling ChatGPT as an easy-money side hustle. He rules out the obvious fixes, stating that "Detectors are unreliable," that pay-to-submit would exclude too many legitimate authors, and that print submissions are not viable. He warns that new barriers would fall hardest on new and international writers, and notes that other editors report the same problem, especially at well-paying markets that never close to submissions. The magazine promises to reopen but sets no date.[73]
2023 (March 7) Academic and scientific writing Commentary An editorial in Nature Biomedical Engineering — one of the Nature family's leading journals for translational biomedical research, with an Altmetric score of 43 for this piece indicating broad cross-disciplinary attention — argues that the moment of truly useful large language models has arrived. The editorial states that, barring the use of advanced watermarking strategies, it is no longer possible to accurately distinguish text written by a human from text generated by a large neural network — a threshold the editors note that most machine learning experts and linguists would not have believed reachable only a few years prior. Writing from a biomedical science context, the editorial anticipates that the consequences of LLM proliferation will be far-reaching across research, clinical documentation, and scientific publishing. The piece is notable as an early instance of a major peer-reviewed journal's editorial board officially registering that the distinction between human and machine writing had effectively collapsed in practice. Critics and researchers in computational linguistics, however, caution that passing indistinguishability tests does not imply genuine language understanding, and that LLM outputs in scientific domains remain prone to hallucination, fabricated citations, and subtle factual errors that human reviewers may fail to catch precisely because the prose is fluent.[74]
2023 (March 9) Editing and proofreading Product integration Grammarly, whose writing assistant is used by some 30 million people and 50,000 business teams a day, announces GrammarlyGO, a generative AI feature marking its move from correcting text to producing it. Head of product Rahul Roy-Chowdhury describes the shift as "going past revision into conception and composition". Within the apps and websites where people already write, users can compose drafts from short prompts, generate email replies from one-click prompts such as "I'm interested", rewrite passages for tone, clarity, or length, and generate outlines and ideas, with output adjusted to a user's chosen tone and professional role. GrammarlyGO is to enter beta in April across Grammarly's free, premium, business, education, and developer offerings. It is switched on by default for individual users, while business and education administrators can choose whether to enable it for their organizations. Grammarly presents the launch as building on nearly 14 years of its own AI work, and emphasizes security and privacy.[75]
2023 (March 14) Business and personal productivity writing Product integration Google announces a major step in integrating generative AI into Google Workspace. Starting with Docs and Gmail, trusted testers would gain access to new AI-powered writing tools that help users draft, rewrite, summarize, and adjust tone effortlessly. Over time, similar enhancements will roll out to Slides, Sheets, Meet, and Chat, enabling features like auto-generated visuals, data analysis, and note-taking. Google emphasizes user control, data privacy, and responsible AI design in alignment with its AI Principles. The initiative aims to transform Workspace into a collaborative AI partner, enhancing productivity while preserving human creativity and decision-making.[76]
2023 (March 15) General-purpose writing Model release OpenAI publishes the technical report for GPT-4, a large multimodal model that accepts image and text inputs and produces text outputs. Like its predecessors, GPT-4 is a Transformer-based model pre-trained to predict the next token in a document, followed by a post-training alignment process that improves its factuality and its adherence to desired behavior. The report credits the work to OpenAI as a whole, listing some 280 contributors. While acknowledging that GPT-4 is less capable than humans in many real-world scenarios, OpenAI reports human-level performance on various professional and academic benchmarks, including a simulated bar exam on which it scores around the top 10 percent of test takers. The report also describes infrastructure that let the company accurately predict aspects of GPT-4's performance from models trained with no more than a thousandth of its compute.[77]
2023 (March 16) Workplace communication and document generation Product integration Microsoft 365 Copilot is introduced as an AI-powered productivity tool that integrates large language models like GPT-4 with Microsoft 365 apps and user data through the Microsoft Graph. It aims to transform how people work by enhancing creativity, boosting productivity, and upgrading skills using natural language prompts. Embedded in Word, Excel, PowerPoint, Outlook, Teams, and more, Copilot automates tasks, summarizes content, and generates creative outputs. It also introduces Business Chat, which pulls contextual data across apps. Copilot prioritizes security and privacy, using a permission-based model and preserving enterprise compliance.[78]
2023 (March 16) General-purpose writing Legal and policy The U.S. Copyright Office, led by Register of Copyrights Shira Perlmutter, publishes a statement of policy in the Federal Register on registering works that contain material generated by artificial intelligence. The Office notes it is already receiving such applications. One example is Zarya of the Dawn, a comic book it found copyrightable as a whole in February 2023 while ruling that its individual Midjourney images could not be protected. Citing precedents such as Burrow-Giles Lithographic Co. v. Sarony, the Office reaffirms that copyright protects only the product of human creativity. When a system produces complex written, visual, or musical work from a prompt alone, the machine rather than the user determines its expressive elements: asked for a poem about copyright law in the style of William Shakespeare, a text generator still decides the rhymes, words, and structure. Human selection, arrangement, or sufficient modification of AI output can still be protected. Applicants must disclose and exclude AI-generated content that is more than de minimis, should not list an AI tool as an author, and risk losing their registration if they fail to correct the record. The Office plans a notice of inquiry later in the year on AI training and outputs.[79]
2023 (March 27) Educational writing and academic instruction Commentary Three NC State University English professors offer diverging assessments of generative AI's implications for writing and education.
Chris Anson, Distinguished University Professor of English and longtime director of NC State's Campus Writing and Speaking Program and former chair of the Conference on College Composition and Communication, warns that delegating complex writing tasks to AI bypasses the cognitive processes essential to intellectual development, potentially stunting writers' growth.
Huiling Ding, Professor of Technical Communication and a researcher in responsible AI and workforce development, highlights ethical concerns including authorship integrity, plagiarism, and the displacement of professional writers and artists by automated systems.
Paul Fyfe, Professor of English and director of NC State's Graduate Certificate in Digital Humanities and a co-investigator on the university's Center for AI in Society and Ethics, takes a more exploratory stance, encouraging structured classroom experimentation with generative AI tools as a way to develop critical AI literacy rather than avoiding them outright. The three perspectives — caution, ethical critique, and critical engagement — reflect the spectrum of positions emerging in writing instruction at the moment of ChatGPT's mass adoption.[80]
2023 (April 4) Academic and educational writing Product integration Plagiarism-detection company Turnitin adds AI writing detection to its widely used academic integrity platform, giving instructors an indicator of how much of a submission is likely AI-generated. Turnitin says it prioritized a false positive rate below 1 percent, but problems surface quickly. A Washington Post test that spring finds original student work wrongly flagged, and instructors report international students being flagged disproportionately. A Stanford-led study would find that seven widely used detectors misclassify writing by non-native English speakers as AI-generated at an average rate of 61.3 percent. A University of Reading blind test would find that 94 percent of AI-written exam answers go undetected. Turnitin repeatedly revises the tool: it raises the minimum length to 300 words, acknowledges more false positives for scores between 1 and 20 percent, and later hides low scores behind an asterisk. Its own guidance warns that results should not be the sole basis for action against a student. Vanderbilt University disables the detector, and Australian Catholic University, which records nearly 6,000 alleged misconduct cases in 2024 (about 90 percent of them AI-related), would later abandon it.[81]
2023 (May) Creative and literary writing Notable use Canadian novelist and journalist Stephen Marche publishes Death of an Author, a murder mystery novella released by Pushkin Industries as an ebook and audiobook under the pseudonym Aidan Marchine, a name chosen to signal the book's combined human and machine authorship. Marche plots the story himself, then has ChatGPT compose it paragraph by paragraph, uses Sudowrite to rework the prose and tone, and turns to the Canadian language model Cohere for figurative language, which he credits with the book's best sentences. He estimates the text is 95 percent machine-generated. The novella follows earlier experiments, including a 2021 horror story he described as 17.1 percent auto-generated. Reviewing it in The New York Times, critic Dwight Garner calls it arguably the first halfway readable AI novel and an early glimpse of what is coming for readers, crediting a literate writer for pushing the software beyond boilerplate some of the time. He notes that others have already flooded Amazon with AI-generated books, but without Marche's openness about how they were made.[82][83][84]
2023 (June 22) Business and professional writing Legal and policy Judge P. Kevin Castel of the U.S. District Court for the Southern District of New York sanctions two lawyers in Mata v. Avianca, Inc., a personal injury suit by Roberto Mata, who says a metal serving cart struck him on a 2019 Avianca flight. Attorneys Steven Schwartz and Peter LoDuca had filed a brief citing six court opinions that do not exist, complete with fake quotes and citations generated by ChatGPT, which Schwartz had used for legal research. When Avianca's lawyers could not locate the cases, the attorneys stood by them even after the court ordered copies, admitting the truth only once threatened with sanctions; Schwartz later tells the court he failed miserably to verify them. Castel finds bad faith, fines the lawyers and their firm $5,000, and orders them to send his opinion to their client and to each real judge falsely named as the author of a fabricated opinion. He declines to require an apology, reasoning that a compelled one would not be sincere, and dismisses Mata's suit as filed too late. Legal ethics experts suggest the widespread news coverage may be the lawyers' harshest punishment.[85][86][87]
2023 (July 13) Journalism Institutional adoption OpenAI and the Associated Press announce a deal under which OpenAI licenses part of AP's text archive, with stories going back to 1985, while AP gains access to OpenAI's technology and product expertise. Financial terms are not disclosed, and the two organizations say they will explore uses of generative AI in news products. AP does not yet use generative AI in its stories, although it has used other forms of AI for nearly a decade to automate corporate earnings reports and some sports recaps. The deal arrives amid mounting pressure over AI training data. The same week, the Federal Trade Commission opens an investigation into OpenAI's data practices, and thousands of authors have recently accused AI developers of exploiting their work. Communications scholar Nick Diakopoulos describes such licensing as a hedge against how courts may rule on AI training. News industry analyst Ken Doctor warns that AP's influence could shape the wider industry, recalling that its 1990s decision to put content online for free led many newspapers into a bad bargain. The deal sets up licensing as an alternative to the litigation path The New York Times would take later in the year.[88][89]
2023 (July 14) Academic and educational writing Research publication A Stanford University team led by computer scientist James Zou publishes GPT detectors are biased against non-native English writers in the journal Patterns, following an April preprint. Testing seven widely used AI text detectors, the authors find that they classify US eighth-grade essays almost perfectly but label more than half of 91 human-written TOEFL essays by non-native speakers as AI-generated, an average false positive rate of 61.3 percent. At least one detector flags 97.8 percent of the TOEFL essays. The authors trace the bias to perplexity, a measure of how predictable text is to a language model, on which many detectors rely: writers with a narrower vocabulary produce more predictable prose. Using ChatGPT to enrich the TOEFL essays' word choice cuts false positives to 11.6 percent, while asking ChatGPT to rewrite its own college admission essays in more literary language drops detection to nearly zero. The authors strongly caution against using detectors in evaluative or educational settings. They warn that the tools may push non-native writers to rely on AI more simply to avoid being flagged.[90]
2023 (July 18) Creative and literary writing Commentary The Authors Guild submits an open letter to the CEOs of OpenAI, Alphabet, Meta, Stability AI, IBM, and Microsoft, signed by more than 15,000 writers and supporters, including Dan Brown, James Patterson, Suzanne Collins, Margaret Atwood, and Jonathan Franzen. The letter asks AI developers to seek authors' permission, and to compensate them both for past and ongoing use of their works in training and for AI outputs, whether or not those outputs infringe current law. It rejects the claim that models merely "read" their training texts, arguing that they copy works into the software. It also notes that most training books came from pirate sources, and cites the Supreme Court's Warhol v. Goldsmith ruling to question AI companies' fair use defense. The Guild warns that machine-written books could flood the market at a time when, by its own survey, authors' incomes have fallen 40 percent over a decade, and proposes a collective licensing system to pay writers. Two years later, federal judges would rule in two cases that training on books is fair use, while leaving liability for pirated copies open.[91][92]
2023 (July) Academic and educational writing Commentary The UNC handout Generative AI in Academic Writing offers guidance on using tools like ChatGPT and Microsoft Copilot in academic contexts. It explains how generative AI works by predicting text based on large language models trained on internet data. Potential uses include brainstorming, outlining, summarizing, editing, translating, and drafting transactional communications. The handout warns against over-reliance, highlighting risks like factual inaccuracies, fabricated citations, biased outputs, and violations of academic integrity.[93]
2023 (August 15) Journalism Legal and policy The Associated Press publishes standards for its journalists' use of generative AI, a month after licensing part of its archive to OpenAI. AP says that mindful use of AI can serve its values of accuracy, fairness, and speed, but that the journalist's central role of gathering, evaluating, and ordering facts will not change, and that it does not see AI as a replacement for journalists. Staff may experiment with ChatGPT with caution but may not use it to create publishable content, and any output from a generative AI tool is to be treated as unvetted source material, subject to editorial judgment and AP's sourcing standards. Generative AI may not be used to add or remove elements of photos, video, or audio, and AI-generated images suspected of falsely depicting reality will not be distributed. Staff are urged not to enter confidential information into AI tools, and to check that material arriving from other sources is free of AI-generated content, with the instruction that if there is any doubt about authenticity, it should not be used.[94]
2023 (August 31) General-purpose writing and content creation Product launch Baidu, China's dominant search engine and AI company, publicly launches ERNIE Bot (文心一言, Wenxin Yiyan) to all users following an invited-preview period that began March 16. Developed on Baidu's ERNIE (Enhanced Representation through Knowledge Integration) large language model trained on trillions of Chinese-language web pages, search data, and a knowledge graph of 550 billion facts, ERNIE Bot is explicitly designed around five generative use cases: literary creation, business writing, mathematical reasoning, Chinese language understanding, and multi-modal generation. Over 30,000 enterprise users apply for API access within two hours of the March preview announcement. ERNIE Bot's public launch coincides with the implementation of China's Generative AI Measures, the world's first comprehensive regulatory framework for generative AI products, which requires algorithmic filing and content compliance before public deployment. The launch marks the arrival of large-scale AI writing assistance in Chinese — the world's most-spoken language by native speakers — demonstrating that the generative writing tool phenomenon emerging from English-language markets is simultaneously developing independently in non-Anglophone contexts, with distinct regulatory, cultural, and linguistic constraints shaping its trajectory.[95][96]
2023 (September 1) Creative and literary writing Notable use The Guardian reports that wild mushroom foraging guides apparently written by AI chatbots are being sold on Amazon, which has become a marketplace for AI-produced books passed off as the work of human authors, especially travel guides. Detection firm Originality.ai rates all four samples it examines as almost certainly machine-written. The books were first reported by 404 Media, and on August 27 the New York Mycological Society warned that Amazon and other retailers had been inundated with AI foraging and identification books, urging buyers to choose known authors because the choice could mean life or death. Foraging guide Leon Frey finds serious errors, including advice to identify mushrooms by smell and taste, dangerous when toxic species such as the death cap resemble edible ones. One book also encourages picking lion's mane, a protected species in the UK. Fungi specialist Myron Smith of Carleton University calls the books totally irresponsible, noting that distinguishing edible from poisonous mushrooms takes an experienced eye. Amazon says it is looking into the books.[97]
2023 (September 12) Creative writing Legal Michael Chabon, David Henry Hwang, Matthew Klam, Rachel Louise Snyder, and Ayelet Waldman file a class-action complaint against Meta Platforms, Inc., alleging copyright infringement related to the training of Meta's LLaMA large language models. The plaintiffs—prominent authors and playwrights—claim their copyrighted works were copied without consent through inclusion in the Books3 dataset, derived from the shadow library Bibliotik and used as part of LLaMA's training corpus. They argue Meta relied on large quantities of copyrighted books despite restrictive licenses, violating the Copyright Act and the DMCA. The suit seeks relief for unauthorized reproduction and distribution.[98]
2023 (September 24) Creative writing Commentary Scottish outdoor writer and editor Alex Roddie — editor of Sidetracked magazine and a regular contributor to The Great Outdoors — argues in a personal essay that generative AI threatens the essence of creative writing by automating the thinking and emotional processes essential to genuine expression. Writing from the perspective of a working professional writer with a direct livelihood stake in the question, Roddie contends that AI can mimic language but lacks lived experience, intentionality, and individuality — the core of meaningful writing. He warns that outsourcing creativity to AI weakens critical thinking and erodes the human voice, and sees generative AI as fostering conformity and diluting originality. Other writers and researchers, however, argue the opposite: that AI functions as a generative tool that can expand creative possibilities, reduce friction in early drafting, and help writers develop ideas they would not have reached alone — with the quality of the final work remaining the author's responsibility.[99]
2023 (September 25) Creative and literary writing Research publication The Atlantic staff writer Alex Reisner publishes a searchable database of Books3, a collection of more than 191,000 pirated ebooks, most published in the previous 20 years, that was used without permission to train generative AI systems by Meta, Bloomberg, and others. Reisner identifies the books by extracting ISBNs from the unlabeled text and matching them against a book database, yielding 183,000 titles with author information that any author can now look up. Nearly every author who contacted him after his earlier reporting found their work in it. Books3 is at the center of copyright lawsuits against Meta by writers including Sarah Silverman, Michael Chabon, and Paul Tremblay. A Meta spokesperson does not directly answer questions about training its LLaMA models on pirated books, instead pointing to a court filing arguing that neither the model nor its outputs are substantially similar to the authors' books. Reisner argues that AI training practices are secretive and fundamentally nonconsensual, and that their harms to authors may lie beyond the reach of copyright law. Writers including novelist Monica Ali would use the tool to discover their own books in the dataset.[100]
2023 (September) Creative and literary writing Legal and policy Amazon (company)'s self-publishing platform Kindle Direct Publishing (KDP) tightens its rules in response to concerns about AI-generated books flooding the platform. Early in the month, KDP begins requiring authors to disclose when the content they upload includes AI-generated text, images, or translations. Later in the month, it lowers the number of new titles an account may create each day. KDP states that "we have not seen a spike in our publishing numbers" and presents the change as protection against abuse that will affect very few publishers, who can request an exception. KDP does not publish the new figure, but news outlets report a cap of three new titles a day, which KDP confirms to the Authors Guild while noting that the limit may be adjusted. The Guild, which has been in dialogue with Amazon about generative AI, welcomes the measures as tangible safeguards for authors, publishers, and readers.[101]
2023 (November 11) Creative and literary writing Commentary The Guardian publishes reflections on AI from twelve novelists and poets, including Bernardine Evaristo, Jeanette Winterson, Nick Harkaway, Harry Josephine Giles, and Stephen Marche. Evaristo, a Booker Prize winner, finds ChatGPT's creative writing weak and cliché-prone, but raises the worst-case possibility that writers adept at prompting AI could sideline those who devote their lives to the craft. Winterson, who prefers the term "alternative intelligence", says she would gladly co-write fiction with an AI, and argues that the real problem is that mostly men are designing it. Harkaway dismisses current systems as statistical models that skew toward banality. Giles argues that combinatory literature is as old as literature itself, and that the profit motive has sanded the strangeness out of commercial models. Poet Philip Terry, tracing writing machines from Gulliver's Travels to the Oulipo, predicts that formulaic genres such as Mills & Boon romance will be the easiest to automate. The final contribution, credited to novelist Nathan Filer, ends by revealing that it was written by ChatGPT-4 from his prompts and a sample of his prose, and asks whether that changes its value.[102]
2023 (November 27) Journalism Notable use Technology site Futurism reports that Sports Illustrated, a winner of numerous National Magazine Awards now managed by publisher The Arena Group, has been publishing product reviews under the bylines of writers who appear not to exist. One author, "Drew Ortiz", described as an avid outdoorsman, has no presence outside the magazine, and his profile photo is sold on a website offering AI-generated headshots. His profile is later replaced by another fake persona, and his articles are silently reattributed to the new name. A person involved in creating the content tells Futurism that the articles themselves are absolutely AI-generated. After Futurism asks for comment, all the fake authors disappear from the site. The Arena Group says the articles were licensed from contractor AdVon Commerce, which assured it they were written and edited by humans using pen names, and ends the partnership while it investigates. Futurism, whose parent company has previously worked with AdVon, finds similar fake writers at The Arena Group's financial site TheStreet, and frames the episode as part of a wider pattern of failed attempts to replace journalists with AI, following earlier embarrassments at CNET, Gizmodo, BuzzFeed, and Gannett.[103]
2023 (November 29) Creative and literary writing Commentary Novelist Monica Ali, author of the Booker Prize-shortlisted Brick Lane, delivers English PEN's H. G. Wells Lecture, published as Bookpocalypse: AI and the Risks to Literature and Free Expression. She recounts testing writing tools herself. A model trained on her own novel produces incoherent continuations, and ChatGPT and Google's Bard turn out bland stories, but Sudowrite can take an idea through outline, chapter beats, and prose to a full manuscript within days. When she asks ChatGPT for a scene from her novel Love Marriage in which a British Muslim doctor sleeps with a colleague while menstruating, it refuses, then rewrites the story so the character upholds the teachings of her faith. Ali argues that because such systems predict the most likely next words, they default to widely held, traditional viewpoints. She warns that an AI-assisted flood of books could homogenize literature and crowd out minority and dissenting voices. She also discovers her own books in the pirated Books3 dataset used to train AI models. Ali accepts that AI writing tools are here to stay, and predicts a future divide between "natural" writers who avoid them and those who use them.[104]
2023 Creative and literary writing Legal and policy The Writers Guild of America (WGA) secures rules on artificial intelligence in its 2023 Minimum Basic Agreement (MBA), the contract governing writers' work for the companies that employ its members. Neither traditional nor generative AI counts as a writer, so material it produces cannot be considered literary material. Unpublished AI-generated material that a company hands to a writer does not count as assigned or source material. A company therefore cannot give a writer an AI-generated screenplay and pay only a rewrite fee: the writer is treated as the first writer. Writers may choose to use AI with the company's consent and in line with its policies, but companies cannot require them to use tools such as ChatGPT, and must disclose when material they provide is AI-generated. The WGA reserves the right to argue that using writers' material to train AI is prohibited, and the companies agree to meet with the Guild about their use of AI. The Writers Guild of America West would describe these as groundbreaking protections and build an AI advocacy program on them, from enforcement and an advisory committee to amicus briefs and support for disclosure legislation.[105]
2023 (December 27) Journalism Legal and policy The New York Times sues OpenAI and Microsoft for copyright infringement in federal court in Manhattan, becoming the first major American media organization to sue the companies over the use of its written work. The complaint argues that millions of Times articles were used to train chatbots that now compete with the paper as a source of reliable information. It cites examples of the chatbots reproducing near-verbatim excerpts of paywalled articles, copying text from the paper's product review site Wirecutter without links, and attributing fabricated information to the Times. It seeks "billions of dollars in statutory and actual damages" and the destruction of models and training data built on Times material. The Times says it approached the companies in April about a commercial agreement, without result. OpenAI says it is surprised and disappointed given what it describes as constructive talks, and Microsoft declines to comment. The suit follows authors' lawsuits over AI training earlier in the year. It contrasts with publishers such as the Associated Press and Axel Springer, which have licensed their journalism to OpenAI. Unlike the book cases, it frames chatbots as direct competitors to journalism.[89]
2023 Creative and literary writing Notable use The Land of Machine Memories, a science fiction story created with AI by Shen Yang, a professor at Tsinghua University's School of Journalism and Communication, wins second prize in the fifth youth popular science and science fiction competition run by the Jiangsu Popular Science Writers Association in Nanjing. The contest, aimed at science fiction beginners nationwide aged 14 to 45, does not ban AI. The story follows a woman who loses her memories of her family in a failed experiment and travels through a land of machine memories with an AI companion to recover them. Shen produces it in about three hours using 66 prompts, then edits the AI's text. Organizer Fu Changyi keeps its origin from the six judges, three of whom vote for it. Science fiction novelist Wang Yanzhong is impressed, while fellow judge Suo Hefu is less enthusiastic, and at least one judge readily recognizes the prose as machine-generated. Shen says he plans to publish his method so that others can follow it. An analysis on the linguistics blog Language Log notes that many of the prompts simply instruct the AI to write the next paragraph in strict accordance with an outline, suggesting the system needed close guidance.[106][107][108]
2023–2025 General-purpose writing and content creation Legal In the United States, federal legislative efforts to require disclosure of AI-generated text produce no enacted law during the first wave of generative AI adoption. The AI Labeling Act of 2023 (S.2691), introduced July 27, 2023 by Senator Brian Schatz (D-HI) with Senator John Kennedy (R-LA) as cosponsor, would require clear and conspicuous disclosures on AI-generated text content — including permanent metadata identification of the generating tool and date — and defines AI-generated content as material "substantially created or modified" such that it "materially alters the meaning or significance that a reasonable person would take away," explicitly excluding minor AI assistance from the disclosure requirement. Enforcement would fall to the Federal Trade Commission as an unfair or deceptive trade practice. The bill is referred to the Commerce, Science, and Transportation Committee and advances no further, expiring when the 118th Congress concludes in January 2025. The bipartisan REAL Act, introduced December 10, 2025 by Representatives Bill Foster (D-IL) and Pete Sessions (R-TX), requires federal agencies to label AI-generated content in official channels but is narrowly scoped to government communications rather than publishing broadly. California's SB 942, signed September 28, 2024 and effective January 1, 2026, becomes the most significant enacted US legislation on AI content labeling, but operates at state rather than federal level. The absence of enacted federal legislation covering AI disclosure in professional writing and publishing — despite repeated bipartisan congressional interest — leaves US writers, publishers, and readers without a consistent legal standard, in direct contrast to the binding EU framework taking effect in August 2026.[109][110]
2024–2025 Academic and scientific writing Commentary Major academic publishers respond to documented AI use in peer review with formal policy frameworks, producing significant variation across institutions. A cross-disciplinary analysis of policies from 439 high-impact-factor and 363 middle-impact-factor journals across 21 disciplines — conducted by researchers Zhongshi Wang and Mengyue Gong and published in Learned Publishing in December 2025 — finds that by August 2025, 83% of high-IF journals and 75% of middle-IF journals have adopted AI policies for peer review, with policies evolving rapidly: 24.5% of high-IF journals revise their policies in just the five months between March and August 2025. The analysis identifies five distinct policy types anchored to major publishers. Elsevier takes the most restrictive stance, banning AI from all peer review and editorial stages including auxiliary tasks such as language improvement. Springer Nature prohibits uploading manuscripts to generative AI tools but does not explicitly ban AI use, requiring only disclosure. Wiley permits limited use, allowing grammar and readability polishing in review reports. The Association for Computing Machinery (ACM) is the most permissive, allowing generative AI to improve review quality provided confidential information is removed. Despite these differences, all five policy types share one consensus: AI cannot replace human judgment on a manuscript's innovation or professional standing. Disciplinary variation is pronounced — science, technology, and medicine disciplines enforce stricter restrictions, while humanities and social sciences adopt more permissive approaches. The Committee on Publication Ethics (COPE) prohibits AI from being listed as an author or fulfilling peer review responsibility, and requires explicit disclosure of AI tool use, version, and purpose.[111]
2024 (February 5) Literary and creative writing Commentary Japanese novelist Rie Kudan, 33, discloses at the acceptance ceremony for the 170th Akutagawa Prize — Japan's most prestigious literary award for emerging fiction writers, established in 1935 — that approximately 5% of her winning novel Tokyo-to Dojo-to (Sympathy Tower Tokyo) consists of text generated verbatim by ChatGPT. The prize committee had praised the novel as "almost flawless" before the disclosure was made. Kudan explains she turned to ChatGPT to find "soft and fuzzy words" that captured the novel's muddled themes of justice and AI, and describes using the tool as a personal confidant for thoughts she could not share with other people. The revelation prompts literary award bodies in Japan to reconsider their submission guidelines. Defenders of Kudan's approach note that the AI-generated passages are largely confined to dialogue attributed to an AI character within the novel, making the use structurally intentional rather than a straightforward substitution of human prose — a distinction that complicates simple narratives about AI replacing authors. The event is among the first high-profile cases of AI-assisted writing winning a major literary prize, and coincides with a similar case in China, where journalism professor Shen Yang used AI to generate a science fiction novel in three hours, winning a national competition without judges being aware of its AI origins.[112][113]
2024 (March 18) Educational and creative writing / Professional writing Research publication A study by Zhuoyan Li, Chen Liang, Jing Peng, and Ming Yin, presented at the CHI Conference on Human Factors in Computing Systems, explores how people value and experience generative AI-powered writing assistance. In a randomized experiment with 379 participants writing essays or stories, researchers test independent writing, AI editing help, and AI-driven drafting. Participants show they are willing to forgo pay for AI support, especially for creative tasks and full content generation. AI is found to boost productivity, confidence, and grammar but also reduces accountability, satisfaction, and writing diversity, revealing both benefits and risks for education and professional use.[114]
2024 (July 29) Business and professional writing Legal and policy The American Bar Association issues Formal Opinion 512, "Generative Artificial Intelligence Tools", its first formal ethics guidance on lawyers' use of AI. It follows widely reported cases of AI hallucinations in legal documents and earlier opinions from state bars and task forces in Texas, Illinois, California, and elsewhere. The opinion applies the Model Rules of Professional Conduct to generative AI, covering lawyers' duties of competence, confidentiality, communication with clients, candor toward courts, supervision, and reasonable fees. Building on the rules on competence, confidentiality, and responsibility for nonlawyer assistance, it treats keeping up with technologies such as AI as part of a lawyer's required competence. Commentators largely welcome it, noting that it leaves room for interpretation and for lawyers to decide whether to use AI at all, while making ignorance of its guidelines no longer acceptable. A "human in the loop" approach, such as Thomson Reuters' requirement that an attorney validate every AI-generated result before it is used in a brief or contract, emerges as accepted best practice. Questions remain about how AI costs can fairly be billed to clients, and about whether smaller organizations can afford advanced tools.[115]
2024 (August 1) General-purpose writing and content creation Legal The European Union's Artificial Intelligence Act (Regulation EU 2024/1689) — the world's first comprehensive AI law — enters into force, with its transparency provisions establishing the first binding legal framework directly affecting AI-generated written text. Article 50 of the Act requires providers of generative AI systems to ensure their outputs are marked in machine-readable formats, and requires deployers using generative AI for professional purposes to clearly label AI-generated text published on matters of public interest — with an exemption for content that has undergone genuine human editorial review and where a natural or legal person bears editorial responsibility. The labeling requirement follows a phased timeline, becoming fully applicable from August 2, 2026. In preparation, the European Commission launches work on a voluntary Code of Practice for marking and labeling AI-generated content on November 5, 2025, publishing a first draft on December 17, 2025, with finalization expected by June 2026. The Code adopts a multilayered approach to machine-readable watermarking covering synthetic audio, images, video, and text. The AI Act's editorial exemption — requiring demonstrable human review rather than nominal oversight — directly shapes how professional writing operations in EU member states structure their AI-assisted workflows.[116][117]
2024 (August 4) Academic and educational writing Tool development The Wall Street Journal reports that OpenAI has developed a method that can reliably detect when ChatGPT has been used to write an essay or research paper, identifying AI-written text with 99.9 percent certainty, but has not released it despite widespread concern about students using AI to cheat. According to people familiar with the matter and internal documents, the project has been debated within OpenAI for about two years and has been ready for release for about a year. "It's just a matter of pressing a button," one of the people says. The report comes a year after OpenAI withdrew its earlier AI text classifier, and amid evidence that commercial detectors misjudge human writing.[118]
2024 (August) Creative and literary writing Commentary National Novel Writing Month (NaNoWriMo), the nonprofit behind the annual challenge to write a 50,000-word novel draft in November, issues a statement saying it neither supports nor condemns any approach to writing, including AI, and that categorical condemnation of AI has "classist and ableist undertones". Founded in 1999, the challenge had drawn more than 400,000 participants worldwide in 2022 and launched bestsellers by authors including Sara Gruen, Erin Morgenstern, and Rainbow Rowell. Critics reject the implication that disabled or low-income writers need AI to write well, and cite AI's reuse of copyrighted work, energy use, and bias. Members of its Writers Board resign, among them novelist Daniel José Older, who points to the organization's sponsorship by AI writing assistant ProWritingAid. NaNoWriMo clarifies that it objects only to situational abuse of AI, but authors distance themselves and sponsors withdraw. The controversy compounds earlier crises over forum moderation and child safety. On March 31, 2025, the organization would announce it is shutting down, citing financial strain and declining participation, as local writing groups form independent alternatives.[119]
2024 (October 1) Scholarly and research writing Commentary An article by Charlotte Huff explores how AI tools can support psychology researchers and students with tasks like grammar correction, citation formatting, and idea generation. However, the article warns against over-reliance on AI, emphasizing the need for human authorship, ethical oversight, and transparent citation. APA Style guidelines stress that only humans can be listed as authors and that all AI usage must be properly documented. Risks include misinformation, fabricated citations, detection failures, and bias—particularly against non-native English speakers. Ultimately, Huff points out that AI should augment, not replace, the scholar’s role in the research process.[120]
2024 (October 23) General-purpose writing Research publication Researchers at Google DeepMind, including its chief executive Demis Hassabis, publish SynthID-Text in Nature, describing a watermarking scheme for AI-generated text that is ready for use in production systems. Rather than detecting AI text after the fact, an approach the authors note performs inconsistently and produces more false positives for groups such as non-native English speakers, SynthID-Text slightly adjusts how a model chooses each next word, leaving a statistical signature that can later be detected without access to the model itself. In a live experiment covering nearly 20 million responses from Google's Gemini chatbot, users rate watermarked and unwatermarked answers the same. Google reports that the scheme now watermarks Gemini's responses, which the authors call the first deployment of a generative text watermark at scale, and releases its code publicly. The authors acknowledge the method's limits: it works only if the companies running models choose to apply it, is hard to enforce on open-source models, and can be weakened by paraphrasing or by attacks that strip, steal, or spoof the watermark.[121][90]
2024 (October) Creative and literary writing Legal and policy Penguin Random House, the largest of the Big Five English-language trade publishers, changes the copyright page in its books to forbid their use in training AI, as first reported by the trade magazine The Bookseller. The new wording states that no part of a book may be used or reproduced "for the purpose of training artificial intelligence technologies or systems". It is to appear in all new titles across the publisher's imprints, and in reprints of backlist titles. The change makes Penguin Random House the first of the Big Five to act publicly against AI training in this way. It follows other publishers' moves against AI companies' use of their work, including The New York Times' 2023 lawsuit against OpenAI and Microsoft and, that same month, its cease-and-desist letter to the AI search startup Perplexity.[122]
2024 (November 14) Creative and literary writing Research publication Philosophers of science Brian Porter and Edouard Machery of the University of Pittsburgh publish two preregistered experiments in Scientific Reports on how non-expert readers respond to AI poetry. They collect five poems each from ten well-known English-language poets, from Geoffrey Chaucer and Shakespeare to T. S. Eliot and Sylvia Plath, and use ChatGPT 3.5 to generate five more in the style of each, keeping the first results without selecting the best. Asked to tell them apart, 1,634 participants score below chance, at 46.6 percent accuracy, and judge the AI poems to be human-written more often than the real ones; experience with poetry does not help. In a second study, 696 participants rate the AI poems higher on 13 of 14 qualities, including rhythm and beauty, though not originality, while rating any poem lower when told it is AI-generated. The authors argue that readers prefer the AI poems because they are simpler and more direct, mistake the complexity of human poems for AI incoherence, and treat their own preference as evidence of human authorship.[123]
2024 (November 19) Creative and literary writing Institutional adoption HarperCollins confirms an agreement with an unnamed AI technology company allowing limited use of select nonfiction backlist titles to train AI models. The publisher presents the deal as a way to offer authors new opportunities while protecting the value of their works and their shared royalties, and says authors may opt in or decline. Its statement follows children's author Daniel Kibblesmith's posting, on Bluesky, of an email offering him $2,500 for permission to use his 2017 picture book Santa's Husband, a work of fiction despite the company's description of the deal. According to the email, titles would be licensed for three years, with protections concerning credit and limits on how much text could be reproduced verbatim in each AI response. The terms are non-negotiable, several hundred authors have already agreed, and the buyer's identity must be kept confidential. Kibblesmith urges those angered by the offer to channel their outrage into buying physical books by living authors from local bookstores.[124]
2024 Academic and scientific writing Research publication Quantitative studies begin documenting the scale of AI involvement in academic peer review for the first time. A study of 50,000 peer reviews for computer science conference papers submitted in 2023 and 2024, published in Nature, estimates that up to 17% of sentences are likely written by a large language model. A separate study of peer reviews submitted for the 2024 International Conference on Learning Representations (ICLR) — one of the most prestigious machine learning venues — finds that at least 15.8% of reviews are at least partially AI-generated, with AI-assisted reviews correlating with higher paper scores and acceptance rates, raising concerns about fairness and integrity in the scholarly review process. A 2026 Nature survey of 1,600 academics subsequently finds that more than 50% have used AI tools while peer reviewing manuscripts, confirming that undisclosed AI use in peer review has become a majority practice in at least some academic communities. Researchers also document cases of authors embedding hidden prompts — in white text or microscopic fonts — within manuscripts to manipulate AI-powered review systems into producing favorable assessments, exposing a fundamental vulnerability in automated scholarly judgment.[125][126]
2025 (January) Interactive storytelling and fiction writing Research publication An article presents a novel interactive system, ChatGeppetto, for AI-assisted narrative generation based on semiotic reconstruction. Drawing on syntagmatic, paradigmatic, meronymic, and antithetic relations, the system enables users to remix and create stories from existing narratives. The AI co-author, powered by ChatGPT and Stable Diffusion, uses abductive reasoning to generate text and visual scenes. A user-friendly prototype supports casual users and writers, aiming to enhance creativity and story coherence. While initial user studies show no statistically significant differences in satisfaction, the semiotic model is praised for enriching emotional and memorable content. Ethical concerns around authorship, bias, and AI’s creative role remain central to future research.[127]
2025 (February 13) Creative writing Research publication A study explores how 18 creative writers intentionally integrate AI—specifically large language models—into their writing practice without compromising core values like authenticity and craftsmanship. Unlike other forms of writing, creative writing is seen as highly personal and choice-driven. While some see AI as reducing creativity to mere prompting, the writers studied develop nuanced, evolving relationships with AI tools. They make deliberate choices about when and how to use AI, building custom workflows that preserve their creative control. These writers see AI not just as a tool, but as a dynamic collaborator, offering insight into ethical and sustainable ways to support creativity with technology.[128]
2025 (February 20) Professional and creative writing Commentary British novelist and science writer Dr Sanjida O'Connell — author of eight novels and four non-fiction books, a Betty Trask Award winner, and a Fellow of the Royal Literary Fund, the UK's principal charitable body supporting professional writers — outlines ten ways writers can use AI to enhance their craft without sacrificing creativity, writing for the RLF's own publication. O'Connell's position carries particular weight as that of a working author who describes initial skepticism rooted in the unauthorized use of her work in AI training data, and who arrived at a pragmatic accommodation rather than outright rejection. Her practical suggestions include using AI for brainstorming, generating writing prompts, locating literary agents, crafting pitches, summarizing research, proofreading, and producing publicity material. She emphasizes prompt engineering as essential and urges writers to retain editorial control and preserve their individual voice, noting that while AI output tends toward the generic, it can still generate ideas that spark original writing. Critics of this accommodationist stance argue that framing AI as merely a useful tool for established professional writers obscures the structural harm it poses to newer or less-established writers — precisely those with less leverage to set the terms of their engagement with AI platforms.[129]
2025 (March 7) General-purpose writing Legal and policy Four Chinese agencies, led by the Cyberspace Administration of China together with the Ministry of Industry and Information Technology, the Ministry of Public Security, and the State Administration of Radio and Television, issue the Measures for Labeling of AI-Generated Synthetic Content, to take effect on September 1, 2025. Building on earlier rules for generative AI services, the measures cover text, images, audio, video, and virtual scenes. They require two kinds of labels: explicit labels that users can perceive, which for text means notices or symbols at its beginning, end, or middle, or beside it in the interface; and implicit labels embedded in file metadata recording the content's attributes, the provider's name, and a reference number, with digital watermarks encouraged. Platforms that distribute content must check metadata and add visible notices to content that is confirmed, declared, or suspected to be AI-generated, and users must declare AI content they publish. Providers may supply unlabeled content on request only after setting out users' responsibilities and keeping logs for six months. Anyone who maliciously removes, alters, or fakes labels, or supplies tools to do so, violates the measures.[130]
2025 (March 18) General-purpose writing Legal and policy The U.S. Court of Appeals for the D.C. Circuit rules in Thaler v. Perlmutter that the Copyright Act requires works to be authored by a human being. Computer scientist Stephen Thaler had applied in 2018 to register an artwork generated autonomously by his AI system, the "Creativity Machine", listing the AI as its sole author and conceding that it lacked human authorship. The Copyright Office refused, and a district court upheld the refusal in 2023. The appeals court finds that although the Act never defines "author", its provisions on ownership, terms measured by the author's lifespan, joint authorship, and signatures all assume a human, and that Congress adopted the Office's longstanding human-authorship requirement in the 1976 Act. It rejects Thaler's work-made-for-hire argument, while noting that works made with AI assistance can still be protected and that Congress could revisit the rule. Because Thaler disclaimed any human contribution, the court leaves open how much human input AI-assisted work requires, a question raised by a pending case over a Midjourney image made with more than 600 prompts. The Supreme Court would decline to hear Thaler's appeal on March 2, 2026.[131]
2025 (May 23) Literary writing and personal expression Commentary Australian poet and artist Luke Beesley — author of multiple collections published by Giramondo Publishing, including In the Photograph, shortlisted for the 2024 Prime Minister's Literary Awards — argues in an essay published in The Guardian that writing by hand, specifically with pencil, has become a quiet act of resistance against AI's growing role in literature. Writing from the perspective of a working poet whose own creative process is grounded in handwritten first drafts, Beesley contends that as AI-generated content becomes harder to distinguish from human work, authenticity will increasingly reside in process and material evidence — the notebook, the pencil stub, the physical archive of creation — rather than in the finished text alone. He suggests these traces may soon function as proof of genuine human authorship amid widening concerns about trust and plagiarism in literary culture. Others challenge this framing, arguing that fetishizing handwriting as a mark of authenticity is aesthetically conservative and practically exclusive — privileging a mode of composition inaccessible to many writers due to disability, circumstance, or working habit — and that the integrity of literary work should be judged by its qualities rather than its production method.[132]
2025 (May 26) Investigative and professional journalism Research publication A study suggests journalism is not dying but evolving with AI. Despite fears of newsroom collapse, Danish labour market data show little evidence of job losses linked to large language models. Public anxiety remains high: surveys reveal most Americans expect declining news quality, job cuts, and misinformation. Yet investigative work demonstrates AI’s constructive role. Outlets like The Wall Street Journal, The Washington Post, and Associated Press use machine learning and geospatial tools to uncover stories, proving AI augments reporting with speed and depth while preserving human judgment.[133]
2025 (June 12) Long-form story generation Research publication A paper introduces SCORE, a framework designed to enhance coherence and emotional depth in AI-generated stories from Large Language Models (LLMs). SCORE identifies narrative inconsistencies by tracking key items, generating episode summaries, and using a Retrieval-Augmented Generation (RAG) approach with TF-IDF and cosine similarity. It addresses common LLM issues such as inconsistent character behavior and emotional tone. Inspired by memory mechanisms in generative agents, SCORE evaluates character consistency, emotional flow, and plot logic. Tests on LLM-generated narratives show that SCORE significantly improves coherence and stability compared to standard GPT models, offering a more structured method for refining long-form AI storytelling.[134]
2025 (June 23) Creative and literary writing Legal and policy Judge William Alsup of the U.S. District Court for the Northern District of California issues a split summary judgment ruling in Bartz v. Anthropic, a copyright suit by authors against AI company Anthropic. Anthropic trained its Claude models on millions of digitized books, some bought in print, disassembled, and scanned, and many others downloaded from pirate libraries. The authors do not claim that Claude reproduces their books, only that copying them for training is infringement. Alsup holds that training language models to generate new text is "exceedingly transformative" and a fair use, as is scanning purchased print copies. He rules against Anthropic on the pirated copies, however, finding that every fair use factor weighs against downloading millions of books for free and keeping them permanently, and sends those claims to trial on infringement and damages. Along with a ruling in a parallel case against Meta two days later, it is among the first US district court decisions on whether training large language models is fair use. The pending trial over the pirated copies would end in a $1.5 billion settlement.[92][135]
2025 (June 25) Creative and literary writing Legal and policy Two days after the Bartz v. Anthropic ruling, Judge Vince Chhabria of the same court grants summary judgment to Meta on fair use in Kadrey v. Meta Platforms. In that case, thirteen authors allege that Meta torrented their books from shadow libraries to train its Llama models. Chhabria treats downloading and training together as a single transformative use, since Llama is a general text-generation tool while the books exist to be read. Unlike Alsup, however, he considers market harm the most important factor and criticizes the Bartz ruling for neglecting it, warning that no other use of copyrighted works could flood the market with competing works the way language model training can. The authors lose because they offer almost no evidence of such harm, and Chhabria stresses that the ruling's consequences are limited because the plaintiffs made the wrong arguments. He also rules for Meta on Digital Millennium Copyright Act claims, leaving open the claim that Meta unlawfully distributed books while torrenting. Law firm White & Case, which represents ROSS Intelligence in a related appeal, notes that the two rulings, together with Thomson Reuters v. ROSS Intelligence (which rejected fair use for a non-generative AI model), show deep judicial disagreement over AI training.[92]
2025 (June 27) Book publishing and literary labor Commentary Over 70 authors publish an open letter on Literary Hub urging major U.S. publishers to limit their use of generative AI, with the initiative quickly gathering over 1,100 signatures. The letter's prominent signatories include Dennis Lehane — Boston-born crime novelist and screenwriter whose works including Mystic River, Gone Baby Gone, and Shutter Island have been adapted into major films — and Lauren Groff — three-time National Book Award finalist and New York Times bestselling novelist whose Fates and Furies was named President Barack Obama's favorite book of 2015. The letter demands commitments from publishers not to release AI-generated books, replace human workers with AI, or train AI on copyrighted material without consent, and calls for the continued use of human narrators and translators. Organizers frame the letter as a response to an existential threat to authors' livelihoods, particularly following recent court rulings favoring AI companies in copyright disputes. The initiative is notable for its speed of momentum and for targeting publishers rather than AI companies directly — holding the industry intermediary accountable rather than the technology developer. Of the major publishers approached, only Simon & Schuster responds publicly, affirming its commitment to protecting authors' rights; the silence of the other major houses is itself interpreted by organizers as meaningful. Publishers and AI proponents counter that human-AI collaboration in book production is not categorically different from other forms of editorial and technological assistance authors have long accepted, and that blanket prohibitions risk constraining tools that could benefit writers as much as harm them.[136][137]
2025 (June 30) College and academic writing Commentary Hua Hsu — staff writer at The New Yorker, professor of English at Bard College, and 2023 Pulitzer Prize winner for his memoir Stay True — explores how generative AI is reshaping college writing and, by extension, higher education itself. Drawing on classroom observations and interviews with students and educators, Hsu finds that students increasingly rely on tools like ChatGPT for everything from formal essays to personal communication, often bypassing the writing process rather than using AI to augment it. Some educators respond with in-class exams and handwriting exercises; others embrace AI as a legitimate learning aid. Hsu frames students' behavior not primarily as cheating but as a rational response to structural conditions — an efficiency-oriented, consumer-minded educational culture that has failed to articulate clear goals for what writing is supposed to develop in the first place. Writing from the dual vantage of a literary journalist and a practicing college teacher, his account carries particular weight as an insider perspective on the crisis. Those who take a more optimistic view argue that AI's pressure on traditional writing assignments could prompt long-overdue reform of rote assessment practices, and that learning to collaborate effectively with AI tools is itself a transferable skill worth cultivating.[138]
2025 (July 2) Academic and educational writing Research publication Data scientist Dmitry Kobak and colleagues publish a study in Science Advances estimating that at least 13.5 percent of biomedical abstracts published in 2024 were processed with large language models, or at least 200,000 papers a year. Borrowing the method of excess mortality studies, they compare word frequencies in more than 15 million PubMed abstracts from 2010 to 2024 with what earlier trends predicted, avoiding the need for detectors or samples of known AI text. 2024 shows 454 words with excess usage, more than during the COVID-19 pandemic, but where the pandemic's excess words were nouns tied to content, 2024's are almost all style words favored by LLMs: "delves" appears 28 times more often than expected, alongside words such as "underscores", "showcasing", and "crucial". The lower bound varies widely, at about 20 percent in computational fields and in papers from China, South Korea, and Taiwan, about 5 percent from the United Kingdom and Australia, and over 40 percent in some subsets. The authors caution that native English speakers may simply be better at removing telltale words, so the true share is likely higher.[139]
2025 (August 21) Journalism Notable use Trade publication Press Gazette reports that at least six outlets, including Wired and Business Insider, have removed articles by a freelance writer named Margaux Blanchard that appear to have been generated by AI, from a writer who may not exist. Wired had published her May story about couples marrying in the video game Minecraft, quoting a "digital celebrant" whose identity no one could verify. The magazine grew suspicious only when the writer could not provide details for its payment system and insisted on PayPal or a check. It acknowledges that the story skipped a proper fact-check and a senior edit, conceding that even a publication used to catching AI scammers had let one through. Business Insider removes two first-person essays by Blanchard and says it has bolstered its verification procedures. The ruse surfaced when Jacob Furedi, editor of the new magazine Dispatch, received a pitch about a secretive forensic training ground in a former Colorado mining town that he could find no trace of, and challenged the writer to provide public records requests. Blanchard does not respond to requests to prove she is a real person.[140]
2025 (August 28) Personal messaging Product launch WhatsApp introduces “Writing Help”, an AI-powered assistant that offers in-app suggestions to refine your messages’ tone, style, and clarity. Users simply compose a message, tap the pencil icon, and choose from options like professional, funny, rephrase, supportive, or proofread to enhance their text before sending. Powered by Meta’s Private Processing technology, all suggestions remain encrypted and private—neither WhatsApp nor Meta can access the original message or AI output. The feature is first being rolled out in English to select regions, with broader availability expected later in the year.[141][142][143]
2025 (September 10) Creative writing Commentary Rice University launches a course that examines how generative AI can both inspire and challenge creative writing. Rather than outsourcing storytelling to ChatGPT, students explore ways to incorporate or resist AI’s influence, using it to spark ideas while confronting its limitations. The class engages with critical essays and AI-generated texts, while also addressing ethical issues such as copyright and environmental costs. Associate teaching professor Ian Schimmel emphasizes that grappling with AI’s flaws and controversies fosters deeper reflection on creativity and technology.[144]
2025 (September 15) General-purpose writing Research publication OpenAI releases How People Use ChatGPT, a National Bureau of Economic Research working paper by its economic research team and Harvard economist David Deming, which it describes as the largest study to date of how people use the chatbot. Classifying a representative sample of conversations with an automated, privacy-preserving system, the authors trace ChatGPT's growth from its November 2022 launch to July 2025, by which time around 10 percent of the world's adults have adopted it. Non-work messages grow faster than work messages, rising from 53 percent to more than 70 percent of all use. "Practical guidance", "seeking information", and "writing" are the three most common topics, together accounting for nearly 80 percent of conversations, while programming and self-expression are relatively small. Writing dominates work use, accounting for about 40 percent of work-related messages, which the authors attribute to chatbots' ability to produce finished text, unlike search engines. Work use is most common among educated users in highly paid professional jobs, the early gender gap among users has narrowed sharply, and usage is growing fastest in lower-income countries.[145][146]
2025 (October 29) Literary and creative writing Legal George R.R. Martin sues OpenAI and Microsoft as part of a broader class-action case alleging unauthorized use of copyrighted books to train AI models. A federal judge allows the lawsuit to proceed after ruling that a ChatGPT-generated outline for a fictional Game of Thrones sequel, A Dance With Shadows, could be substantially similar to Martin's work. The output includes elements resembling A Song of Ice and Fire, prompting further legal examination.[147]
2025 (November 25) General-purpose writing Commentary Australia's Macquarie Dictionary names "AI slop" its word of the year, chosen by both its expert committee and a public vote over a shortlist that includes "Ozempic face", "blind box", and "Roman Empire". The committee describes the term as AI generated slop, which lacks meaningful content or use, and says it reflects a major aspect of societal change during 2025. Having spent years learning to be search engineers to find meaningful information, the committee argues, people now need to become prompt engineers to wade through AI slop, which it expects to be a robust addition to English for years to come. Among honorable mentions is "clankers", a slur for AI-driven robots that do work normally done by humans. Committee member and crossword setter David Astle calls AI slop this decade's equivalent of spam, noting that it already forms compounds such as "slopaganda" and "slop music". The term covers AI-generated text, images, and video alike, and its spread follows a year in which such content proliferates across social media and political messaging.[148]
2026 (February 8) Creative and literary writing Notable use The New York Times reports that romance, the best-selling fiction genre and long an early adopter of new publishing technology, is rapidly taking up AI. A veteran romance author writing as Coral Hart, previously published by Harlequin and Mills & Boon, produced more than 200 novels in 2025 under 21 pen names using chatbots, chiefly Anthropic's Claude, selling about 50,000 copies. She says the AI can draft a full novel from her outline in about 45 minutes, and she has taught more than 1,600 people her methods, but she does not disclose AI use under her current pen names, citing stigma. A BookBub survey of more than 1,200 authors finds about a third using generative AI, most without telling readers. The article also traces a recurring stock phrase, a lover's name uttered "like a ragged prayer", across several AI-assisted books. Bestselling author Marie Force, who learned that more than 80 of her novels were used to train Claude, complains that AI output buries newer human writers. Future Fiction Press labels its 19 AI romances, but its cofounder Elizabeth Ann West says, "If you hide that there's A.I., it sells just fine."[149]
2026 (March 2) Creative and literary writing Legal and policy The Authors Guild opens its "Human Authored" certification to all authors whose books are published in the United States, after a members-only beta that began in January 2025 and saw thousands of books certified. The program lets authors and publishers mark books as written by humans, to distinguish them from AI-generated books that the Guild says are already saturating the market. A work qualifies if its text was fully written by people and not generated by AI, apart from a minimal amount such as AI-powered spelling and grammar checks. Using AI for research, brainstorming, outlining, or auxiliary parts such as a table of contents or index does not disqualify a book. Certified titles may carry the mark on their covers, copyright pages, and marketing. Certification costs $10 per title for nonmembers and is free for members. Authors must verify their identity and sign a license agreement, and are limited to ten titles a year. A public database lets readers check certified titles, and publishers are to be allowed to license the mark in bulk. The Guild argues that readers have a right to know whether a book was written by a human or generated with AI.[150]
2026 (March 20) General-purpose writing Legal and policy English Wikipedia adopts a guideline prohibiting the use of large language models to generate or rewrite article content, after a request for comment closes with 44 editors in favor and two opposed. The previous guideline had barred only creating new articles from scratch with AI. The new rule keeps two exceptions: editors may use LLMs to suggest copyedits to their own writing, provided the tool introduces no content of its own, and may use them for translation under a separate guideline. Because AI detection tools are unreliable and some people naturally write in a style resembling AI output, enforcement is to focus on whether edits meet the site's sourcing and content policies rather than on style alone. The guideline is proposed by editor Ilyas Lebleu, a founding member of WikiProject AI Cleanup. That volunteer group was formed after editors noticed telltale AI catchphrases in articles, and it searches for and removes AI-generated text, including hoax articles with fabricated sources. The vote follows the appearance in early March of a suspected autonomous AI agent, TomWikiAssist, that writes and edits several articles.[151][152][153]
2026 (June 8) Business and professional writing Legal and policy Senior Judge Sharion Aycock of the U.S. District Court for the Northern District of Mississippi sanctions all four lawyers on both sides of a lawsuit over unpaid legal fees against the city of Aberdeen, after filings from each side cite nonexistent cases produced with AI tools. Calling it an unusual scenario in which attorneys for both litigants engaged in similar sanctionable conduct, she removes all four from the case and cancels the trial. Plaintiff's attorney Kathleen Wilson used First Drafts, an AI drafting program, and told the court she had not known AI could invent cases; a Louisiana bankruptcy court had already disciplined her for similar conduct in April. The city's attorney Kathryn Williams, a law firm partner, relied on her firm's AI research tool despite a firm policy requiring verification, which the judge calls particularly egregious. Both are barred from the court for two years and fined $2,500 and $3,500, and the two local lawyers who sponsored them are fined $1,000 each for signing the filings. First Drafts says it tells users to verify all AI-generated citations, and the American Bar Association points to its 2024 ethics guidance.[154]
2026 (June 23) Academic and educational writing Product integration Superhuman, the company formed when Grammarly bought the email provider Superhuman in 2025 and adopted its name, acquires GPTZero, the AI detection startup that Edward Tian first built as a Princeton senior thesis project three years earlier. Terms are not disclosed. Tian says GPTZero has more than 19 million registered users and $30 million in annual recurring revenue, after raising only $13.5 million in total and becoming profitable by 2024. Superhuman already offers its own AI detection tool, which is designed to help users, often students, check whether their writing appears AI-generated and then revise it so that it does not. GPTZero, by contrast, describes its mission as helping people detect and defend against AI slop. Asked why it bought a competitor, Superhuman says that "two AI detectors are better than one."[155]
2026 (July 20) Creative and literary writing Legal and policy Judge Araceli Martínez-Olguín of the U.S. District Court for the Northern District of California grants final approval to the $1.5 billion class action settlement in Bartz v. Anthropic. Authors Andrea Bartz, Charles Graeber, and Kirk Wallace Johnson had sued AI company Anthropic over its downloading of pirated books to develop its large language models. The settlement pays roughly $3,000 per work, four times the $750 statutory minimum, and requires Anthropic to destroy files obtained from Library Genesis and Pirate Library Mirror; Anthropic states that neither dataset was used to train any of its commercially released models. Class members release only claims over the past acquisition and copying of their works through August 25, 2025, keeping all claims over AI outputs and future conduct. The court cuts class counsel's fees to about 6.8 percent of the fund and addresses 54 objections, including arguments that the total is too low against the $150,000 statutory maximum per work. The Authors Guild presents the outcome as proof that industrial-scale piracy of authors' books carries a heavy price, while similar suits against other AI companies remain pending.[135]
2026 (August 2) General-purpose writing Legal and policy The transparency obligations in Article 50 of the European Union's Artificial Intelligence Act begin to apply, two years after the law entered into force. They cover any AI system used in the situations the article lists, not only those classified as high-risk, and they extend to open-source systems. Providers of generative AI must mark text and other outputs in a machine-readable format so they can be detected as AI-generated, except where the system only assists with standard editing such as grammar correction or does not substantially alter the input. Deployers that publish AI-generated text to inform the public on matters of public interest must disclose it, unless the text has undergone substantive human review and a person or organization holds editorial responsibility for it. A provisional "AI Omnibus" agreement reached in May 2026 gives generative systems already on the market until December 2 to meet the marking requirement. A voluntary Code of Practice under development proposes a standard "AI" label, localized as "KI" in German and "IA" in French, and distinguishes fully AI-generated content from AI-assisted content.[156]

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References

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